播放通道
詳細簡介
熱門影視 大家都在看
姐妹情深
艾米莉·布朗特,羅絲瑪麗·德薇特,馬克·杜普拉斯,邁克·比爾比利亞,梅爾·埃斯林,凱特·貝利,珍妮特·摩絲十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,Ka劫車
Ron Perlman,Saffron Burrows大衛2025
菲爾·威肯 ,阿西姆·喬杜里,米克·溫格特,阿什利·博徹,馬克·惠頓,布倫特·穆卡伊,Brandon Engman,Kamran Nikhad,Reina Ozbay,Will de Renzy-Martin,亞當·邁克爾·戈爾德,亞當·梅爾,Lauren Daigle,Mark Jacobson,凱蒂·伯恩斯坦,Brian Stivale,Sloan Muldown,馬克·西爾弗曼,Mike Ciporkin,Dorah Fine,沙哈爾·塔沃赫喜羊羊與灰太狼之異國破曉
邪貓劫
Toni Hudson,Eric Larson,Alex Cord同類推薦
復仇1978
塞爾玖·尼古拉耶斯庫,J·迪尼克,J·康斯坦丁故事發生在1941年,希特勒支持的羅馬尼亞鐵衛軍到處殘害人民,迫害共產黨員,陰謀進行顛覆,取代安東尼斯庫政權,其中鐵衛軍隊長巴拉班尤其嗜殺成性。安東尼斯庫政權保安機關的警長(后升為警察總監)莫多萬在羅馬尼亞共產黨支持下,單槍匹馬深入虎穴和以巴拉班為首的鐵衛軍展開血腥斗殺......
靈語
是元介,吳可熙,鄭人碩,楊丞琳,禾浩辰,石知田,丁寧,李國超★《麻醉風暴》副導演首部長片,顛覆想像打造臺灣靈異驚悚電影新篇章! ★ 金馬影后提名吳可熙、金鐘視后及金獎影后提名楊丞琳、金馬最佳女配角丁寧三后同臺飆戲! ★《同學麥娜絲》《角頭–浪流連》金馬獎最佳男配角提名鄭人碩深情演出! ★《老師,你會不會回來?》暖男是元介化身火爆重案組刑警! ★ 文化部年度優良電影劇本佳作驚悚推理改編! ? 劇情簡介 ? 解不了的謎,破不了的案,就靠…靈語 刑警志凱(是元介飾)奉命調查一起無名兒童連環箱尸命案,同時,他在國小任教的姊姊美珍(吳可熙飾)在放學時發現女兒慘遭歹徒綁架,志凱與搭檔嘉強(禾浩辰飾)私下展開緊急救人行動。在查案過程中循線追蹤到美珍的前鄰居明城(鄭人碩飾)與慧嵐(楊丞琳飾),意外發現他們的女兒也已經失蹤一年,案情膠著找不到任何線索,幾乎成了破不了的懸案,兩起看似毫無關聯的案件背后似乎隱藏驚人的連結。時間一分一秒過去,外甥女命在旦夕、連續箱尸命案案情撲朔迷離,只有鬼魂知道真相,走投無路的志凱只能求助師姑曾白石(丁寧飾),她擁有特殊體質能夠接收「靈語」,而一樁樁懸案的關鍵線索,是否能借助「靈語」抽絲剝繭找到駭人真相…。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
旅行的機器人
山寺宏一,林原惠美旅にはいつも出會いと別れがある。
雙雄出擊
王輝,張永華,李博,周承赟,張凱翔,艾科熱木,亓梓桓,戚彩,宋宇欣東南亞M國,臥底警員昂基潛伏毒窩查“藍色天堂”配方,遇退伍特種兵哥登。哥登妻子慘喪毒梟坤沙之手、兒子被擄。二人因正義與復仇聯手,闖毒巢、救被拐兒童、斗黑警與毒販,歷經生死終將坤沙團伙擊潰。緝毒信念不滅,兄弟情義滾燙,盡顯邪不壓正的正義力量。