影片推薦
看不見的守護者
瑪爾塔·埃圖拉,埃爾薇拉·明戈斯,Patricia López靈魂燈籠
Hoang Kim Ngoc,Phu Thinh,Diem Trang虎紋少女
扎芙林·宰麗扎爾,迪娜·埃茲拉爾,碧卡,莎黑茲·薩姆,郡·洛瓊,海魯納茲萬·羅德茲伊,Fatimah Abu Bakar競時出擊
王韜,魏小歡,江佳桐,李江瑤黑色鉆石
因巴爾·拉維,杰克·麥克勞克林,肖恩·西珀斯,雷·潘莎基,Michael James Bell,Kelli Jordan,伊森·瑞奇,Sara Lyons,Tristan Cunningham,Adrian Bergere,Wyatt Denny,Eric Walworth洛杉磯之戰
艾倫·艾克哈特,拉蒙·羅德里格茲,威爾·羅斯海爾,科里·哈德里克,吉姆·帕拉克,基諾·安東尼·佩西,尼歐,詹姆斯·廖,布里吉特·莫伊納漢,諾爾·費舍,阿德托庫姆布斯·麥克馬克,布賴斯·卡斯,邁克爾·佩納,米歇爾·羅德里格茲,小尼爾·布朗,泰勒·漢德雷,喬伊·金,盧卡斯·提爾,Kenneth Brown Jr.,雅丹·古爾德,喬·克里斯特,E·羅杰·米切爾,羅斯·布萊克維爾,蘇西·阿布羅梅特,布蘭迪·科爾曼,大衛·詹森,湯姆·希爾曼,莉娜·克拉克,塔琳·薩瑟恩,詹姆斯·D·德弗,Dane Brown,Gra同類精選
遇見惡魔
塞繆爾·杰克遜,萊絲莉·比伯,盧克·威爾遜,佩頓·利斯特,翠茜·索姆斯,李·瑞恩俘虜國度
約翰·古德曼,艾什頓·桑德斯,喬納森·梅杰斯,維拉·法米加,凱文·杜恩,詹姆斯·蘭索恩,阿蘭·盧克,瑪德琳·布魯爾,機關槍凱利,凱文·J·奧康納,本·丹尼爾斯,凱特琳·埃瓦爾德,D·B·斯威尼,瑞內·L·莫雷諾,珊農·克奇蘭,琪琪·萊恩,馬克·格拉佩,丹尼·高德林,簡·巴克斯特·米勒,賽勒斯·亞歷山大,伊立沙·弗雷丁,莉茲·麗,巴爾巴拉·伊麗莎白·馬萊斯基,魯斯·帕薩雷拉查帕奎迪克
杰森·克拉克,凱特·瑪拉,艾德·赫爾姆斯,布魯斯·鄧恩,吉姆·加菲根,奧莉薇·瑟爾比,克蘭西·布朗,泰勒·尼科斯,約翰·菲奧里,吉利恩·瑪瑞娜·戈登,凱蒂·亨諾克,萊克西·羅斯,安吉拉·霍普·史密斯,文斯·泰瑟,維克多·沃倫,大衛·德·貝克,安德莉亞·布萊克曼,比爾·亨弗瑞斯,湯姆·奧布萊恩,莎拉·伊麗莎白·米切爾,保羅·佩普,雅各布·海德,克里斯·埃杰利,瓦利·維吉爾特斷魂小丑3
杰森·帕特里克,丹尼爾·洛巴克,大衛·霍華德·桑頓,勞倫·拉維拉,拜斯·約翰遜,布拉德利·斯泰克爾,克里斯·杰里科,薩曼莎·斯卡菲迪,瑪格麗特·安妮·佛羅倫斯,埃利奧特·富勒姆,亞歷克薩·布萊爾·羅伯遜,Antonella Rose,克里斯·福克斯,夏洛特·麥基,西耶娜·休伯特-羅斯,奇普·卡里爾,盧西亞娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·萊德曼神探伽利略 禁斷的魔術
福山雅治,北村一輝,新木優子,村上虹郎,森七菜,渡邊一計,澤部佑,朝倉亞紀,中村雅俊,鈴木浩介,平原テツ時光插班生
李冠明,許媛媛,張天天影視排行
大話神探
陳百祥,錢小豪,曹查理,馮淬帆,許冠英,葉童,鄭君綿,成奎安,胡楓廣告界名模戴李察原為名噪一時之大盜“一棚牙”,后因厭倦江湖,與舊拍檔阿蕊互相協議金盆洗手,而阿蕊亦轉而從良,下嫁刑事偵緝警官吳超人。察有一世侄志偉,欲得盜竊的真傳衣缽,但為所拒,無奈志偉卻不罷休。另一方面,指揮官胡處長安排超人及當紅干探沖鋒車,以一顆幾可亂真之寶石,由沖鋒車以歸僑身份,擺設酒會,實行布下香餌釣金鰲。當沖鋒車公開展示寶石之際,志偉果然心癢難忍,在混亂中,將寶石盜取。沖鋒車奪回寶石...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
玄機衛之鎮國神鼎
賀剛,袁福福,李夢穎,劉林城,寇振海,老羊,曉凡,陽蕾天降妖星,龍脈斷裂,蠱蟲肆虐。隱士白隱川被迫重出江湖,與瘋癲故友、雙面女禁衛探地宮、破鎖龍陣,在權力棋局中,為人心而戰!
群鳥之地
卡卡琪,梅蘭妮·斯科洛凡諾,凱絲琳·蒙露Sheila Hood is an ex-cop whose marriage is on the rocks. Rather than confronting her husband about an affair, she hides surveillance cameras in her home and watches his transgressions, becoming a voyeur of her own life. Her husband, Tom Kale, is an ornithologist who begins an affair with an ex-girlfriend, Merle James, whose beauty and fragility echoes that of the birds he studies. Ray Starling, the charismatic owner of a boutique hotel, is Merle’s lover, and has dealings with her father, Mr James, a powerful oil baron who operates in the shadows but whose influence touches the whole city. Merle’s younger sister, Hazel, is also drawn to Tom, but trapped in Starling’s web of power. Calvin is an cop whose loyalty to his ex partner, Hood, is tested when mounting evidence from her own surveillance tapes connects her and Tom to Starling’s murder, and perhaps even Merle’s mysterious death.