劇情簡介
富有的泰國華僑宋只有一獨釹，但巳有心無力，未能繼后香燈。于是請來鈡國奇人李施計謀取富商楊的「陰xing古瓶」，以便與自己所有的「陽xing古瓶」一并施法，使自己能枯木回春，于謀取古瓶的過程鈡，由于發生種種錯誤，施法后楊之弟婦們竟相繼把其夫等閹割。另外，一向對宋釹有意的李，因久未謀得真古瓶，宋逐對其諸多不敬，又發覺宋釹的處子之身巳被其侽友所破，惱羞成怒，更施法加害宋釹......
為你推薦
瘟疫
喬爾·埃哲頓,埃利奧特·赫弗南,埃弗雷特·布倫克,凱奧·馬丁,肯尼·羅斯牧森,盧卡斯·阿德勒,科爾頓·李,Kolton Lee故事圍繞一名患有社交焦慮的十二歲少年展開。在男子水球夏令營的殘酷社交法則中掙扎求生時，他那青春期特有的不安，隨著夏日推移竟發酵成一場撕裂靈魂的心理酷刑。
昭和殘俠傳 唐獅子牡丹
高倉健,三田佳子,池部良,津川雅彥タイトル : 昭和殘俠伝: 唐獅子牡丹（期間限定生産）（生産完了） 出演 : 高倉健／三田佳子／津川雅彥／池部良／蘆田伸介／菅原謙二 監督 : 佐伯清 不始末をしでかした弟分を助けるために、花田秀次郎は左右田組の組頭の要求を飲み、榊組の組頭を手にかけた。法の裁きを受け服役した秀次郎は、3年後に出所を果たす。だがそこで秀次郎が目にしたのは、秀次郎の手によって組頭を失い、瀕死の狀態に追いやられてしまった榊組の姿だった。左右田組の執拗な攻撃に耐えて組を守る未亡人の姿に心を打たれた秀次郎は、みずからの負い目もあって、榊組を助けることにするのだが…。 高倉健の代表作の一つである「昭和殘俠伝」シリーズの2作目。渡世の義理ゆえに、心ならずも斬り倒した相手の未亡人に捧げる愛情と、敵対しつつも育まれていく男の友情を描いている。監督はシリーズの大半を手がけてきた佐伯清。若き日の高倉健が、渡世に生きるやくざを凄みたっぷりに演じている。榊組の美しき未亡人に扮するのは三田佳子。
寶島2025
妻夫木聰,廣瀨鈴,洼田正孝,永山瑛太,冢本晉也,中村蒼,瀧內公美,榮莉彌,尚玄,瀧正則,木幡龍,奧野瑛太,村田秀亮,Derrick Dover在二戰后尚未歸還日本的沖繩島上，有一群人自可怕的「鐵暴風」中幸存下來。他們像動物般活在殘破的世界，眼前是垂死的島民和尸體。于是他們從美軍的倉庫和基地搶奪物資，延續這座島上未完的戰爭，他們被叫做「戰果撈客」。直到那一夜，阿恩（永山瑛太 飾）在嘉手納基地的逃亡過程中神秘失蹤，一場曾將故鄉燒毀殆盡的鐵暴風再度席卷這座島嶼而來。 「活下去，生還才是最大的戰果。」多年之后，島上女孩接連慘遭殺害，一名菜鳥琉球警察（妻夫木聰 飾）奉令偵辦命案。追捕疑犯的過程中，在兇手車子里發現的人骨和一名神秘出現的男孩，讓他兒時身為戰果撈客的記憶與一道道未解謎團又重回腦海。
甜蜜恰好也三十
趙文琪,楊悅心,陳德容,鐘駿勝,黃柏鈞,紀宇電金領孟夏貌美強悍，精明神勇，卻因未婚夫出軌而崩潰；SPA技師湯玲柔弱呆萌，嬌甜黏人，一再對吃軟飯的男友無力自拔。一場葬禮讓兩個被同一個男人傷害的隱秘情敵變成了磕磕絆絆的塑料花，日常斗嘴吐槽，情誼卻不斷升級。年輕陽光攝影師金哲的出現撩撥得二女春心萌動，同時陷入瘋狂的境地。幾番爭斗下來，男神巋然無動。兩女身心俱疲，感受到作為女人的無奈與悲涼，同時從這段荒唐的雌競中幡然醒悟，對愛情和女性的尊嚴、價值生發出全新的體悟。金哲究竟情囑何方？兩個大齡女最終愛歸何處？假閨蜜如何煉就真友誼？
牯嶺街少年殺人事件
張震,楊靜怡,張國柱,王啟贊,林鴻銘,金燕玲,王琄,張翰,姜秀瓊,賴梵耘,柯宇綸,譚志剛,馮國強,陳湘琪,金士杰結識小明（楊靜怡）前，小四（張震）是典型的乖仔，是父母的希望和兄妹的驕傲（一家人指望他考上名牌大學將來提升全家的社會地位），他有一個喜歡搖滾樂的自稱“小貓王（王啟贊）”的好友，兩人雖會去樹林看人幽會，但過的是與周圍諸多在“小公園”混的少年人完全兩樣的生活。 喜歡上小明后 ，小四便像跌進一個無底深淵，開始被外界的各種力量牽著鼻子走。新識仰慕對象honey（林鴻銘）意外身亡，一向敬重的父親的自尊與精神因為某次事件嚴重受損，加上將一次次“欺騙玩弄”他感情的小明“看透”，血氣方剛又有很強道德感的小四終于走上犯罪的道路，期望用自己的刀結束事件的根源。但小四不知的是，他眼中的根源只是這條食物鏈中微不足道的一環。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
電梯游戲
Megan Best,亞當·哈蒂格,Gino Anania,Alec Carlos,納扎利·德姆克維奇,Verity Marks,Liam Stewart-Kanigan,Madison MacIsaac,Samantha Halas故事描述萊恩（吉諾亞拿尼亞 飾）的妹妹在幾個月前失蹤了，他認為她失蹤的原因是玩了網路上流傳的“電梯游戲”，傳說只要照著特定步驟操作電梯，就可以前往另一個次元。為了找到妹妹，萊恩說服他的朋友們一同進行電梯游戲，此舉卻為他們招來無法挽回的后果……