即刻觀影
劇情賞析
編輯推薦
咸魚翻生
洪金寶,午馬,麥嘉,石天,林正英,鐘發(fā),曾志偉,劉雅麗俠盜“一枝花”專劫富濟貧故為人欽佩，卻因正義感得罪了一名蛇蝎美人，該女子名叫“仇女”雖嫁與一土豪“孤寒財主”為妾但始終不忘被“一枝花”所辱，誓必要將“一枝花”置于死地。“一枝花”浪跡江湖，但“仇女”并未因而放過他，反而更誣造許多盜竊案令官方大舉追緝之。其時江湖上出現(xiàn)兩個小人物，一肥一瘦，肥名“脹爆”為人憨直，因仰慕“一枝花”而喜扮大俠，瘦名“扭紋柴”常自作聰明經(jīng)常撞板，喜占小便宜，為了官方之花紅到處找尋“一枝花”，而偶遇上“脹爆”后來反成莫逆之交，兩人更結伴一同尋找“一枝花”……
浪浪人生
黃渤,范丞丞,殷桃,常遠,李嘉琦,劉雪華,付航,孫藝洲,張本煜,易小星,小愛,鄧恩熙,李治良,劉西蒙,郝瀚,杜夢涵,莊園曾經(jīng)叱咤小鎮(zhèn)的“大哥”黃榮發(fā)（黃渤 飾）如今嘴硬腿軟，開啟人生困難模式，但他和家人都沒有被命運的風浪裹挾。兒子黑狗達（范丞丞 飾）看似是黃家唯一“淡人”，暗地卻密謀如何發(fā)家又“治父”；妻子陳梨珍（殷桃 飾）樣樣全能橫掃困難，是小鎮(zhèn)人盡皆知不太好惹的“媽系超人”；膽大手“黑”的女兒黃嬌嬌（李嘉琦 飾）和“神”通廣大的阿太（劉雪華 飾）也各出奇招笑料百出。逆境當前，一家唯有興“瘋”作浪跟生活貼臉硬剛，沒準真能讓他們絕地翻盤？
草莓之夜2013
竹內結子,西島秀俊,小出惠介,宇梶剛士,丸山隆平,津川雅彥,渡邊一計,遠藤憲一,高島政宏,生瀨勝久,武田鐵矢,染谷將太,金子統(tǒng)昭,金子賢,鶴見辰吾,石橋蓮司,田中哲司,三浦友和,大澤隆夫,橫山美雪仿佛永不停歇的連綿之雨，引領著成軍四年半的姬川班前往終點。在一周時間內，東京連續(xù)發(fā)生三起作案手法雷同的殺人事件，死者全部隸屬最大黑幫大和會的下屬組織。警方旋即成立搜查總部，組隊四課堅持認定該案件因繼承人之位而起，而姫川玲子（竹內結子 飾）提出質疑，導致總部分裂。隨之而來的神秘電話，令玲子將目標鎖定在柳井健斗（染谷將太 飾）的陌生男子身上，然而高層卻下令她禁止追查柳井這條線索。絕不隨便屈從強權的玲子，在菊田和男（西島秀俊 飾）等姬川班伙伴的掩護下展開獨立調查，在此過程中，柳井不堪回首的過去以及和警方錯綜復雜的關系逐漸明朗。而和自稱房地產(chǎn)商人的牧田勛（大澤隆夫 飾）邂逅，使得同樣背負著傷痕的玲子命運發(fā)生轉變…… 本片根據(jù)譽田哲也的系列懸疑小說《草莓之夜》改編，為同名電視劇的劇場版。
X誰嫁誰噶了誰
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達克,Brendan Morgan,Haley Victoria Hunt,RJ·費瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊當真實犯罪迷伊娃-沃（露西·海爾 Lucy Hale 飾）在她 30 歲生日那天被她的好朋友們推到約會應用程序的世界里時，她突然發(fā)現(xiàn)自己處于一樁真實謀殺案的中心。 隨著她最喜歡的播客揭露了謀殺案的新細節(jié)，她意識到與她約會的三個男人中，有一個可能就是肆虐全城、臭名昭著的 "向右滑動殺手"！ 現(xiàn)在，伊娃和她的朋友們要做的，就是在這部精彩絕倫的喜劇驚悚片中，搞清楚哪一個約會對象是同性戀、潛在的丈夫或殺手。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
手遮天
劉峰超,袁福福,淳于珊珊底層捕快薛不疑（劉峰超 飾）因不諳世故遭同僚排擠，憋屈十年。一樁賑災銀盜竊案他淪為替罪羊。絕境中，他受老師黃士寧（淳于珊珊 飾）搭救，與師弟李震（袁福福 飾）再度合作，然而錢外有錢官外有官，他被迫成為高官手中的“犬牙”……在這黑暗世道，他是會選擇做一只聽話的鷹犬，還是掙脫這巨 手成為啄天之鷹？