42歲

7.1 播放:08萬 更新:2026-04-27

Follows暫無內容41-year-old暫無內容Christine暫無內容on暫無內容her暫無內容quest暫無內容for暫無內容happiness.暫無內容Together暫無內容with暫無內容her暫無內容husband暫無內容and暫無內容her暫無內容teenage暫無內容daughter,暫無內容she暫無內容goes暫無內容on暫無內容holiday暫無內容on暫無內容the暫無內容beautiful暫無內容island暫無內容of暫無內容Ischia.暫無內容There暫無內容she暫無內容finds暫無內容herself暫無內容having暫無內容an暫無內容identity暫無內容crisis暫無內容due暫無內容to暫無內容the暫無內容arrival暫無內容of暫無內容the暫無內容long暫無內容lost暫無內容love暫無內容of暫無內容her暫無內容youth暫無內容and暫無內容her暫無內容lover暫無內容and暫無內容his暫無內容wife.

即刻觀影

劇情賞析

Follows暫無內容41-year-old暫無內容Christine暫無內容on暫無內容her暫無內容quest暫無內容for暫無內容happiness.暫無內容Together暫無內容with暫無內容her暫無內容husband暫無內容and暫無內容her暫無內容teenage暫無內容daughter,暫無內容she暫無內容goes暫無內容on暫無內容holiday暫無內容on暫無內容the暫無內容beautiful暫無內容island暫無內容of暫無內容Ischia.暫無內容There暫無內容she暫無內容finds暫無內容herself暫無內容having暫無內容an暫無內容identity暫無內容crisis暫無內容due暫無內容to暫無內容the暫無內容arrival暫無內容of暫無內容the暫無內容long暫無內容lost暫無內容love暫無內容of暫無內容her暫無內容youth暫無內容and暫無內容her暫無內容lover暫無內容and暫無內容his暫無內容wife.

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我爸救了圣誕節2

圣地亞哥·塞古拉,埃內斯托·塞維利亞,Pablo Chiapella

  一家玩具公司的狡猾主管綁架了圣誕老人,這對父子必須挺身而出,營救圣誕老人,拯救圣誕節。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

巨獸格果

比爾·特拉弗斯,威廉姆·西爾維斯特,文森特·溫特,Christopher Rhodes,約瑟夫·奧康納,布魯斯·西頓,馬丁·本森,莫里斯·考夫曼,瓦西里·迪格納穆

  50年代,美國拍了《原子怪獸》,日本拍了《哥斯拉》,50年代末期英國又趁熱打鐵拍了《海底巨獸》。1961年又和米高梅合拍了《巨獸格果》。  《巨獸格果》不像其他怪獸電影那樣,怪獸開頭都是神龍見首不見尾,最后城市大戰時露個全身。本片中怪獸破壞的鏡頭完完全全的展現在觀眾面前,拆了倫敦塔橋,還推到了大本鐘。最后全憑兩雙大腳一路踩爆房屋,磚瓦四濺,相當過癮。本片講述了人類抓到了一只可愛的小怪獸——格果,然后把它關進馬戲團里,哪知道后來把怪獸老娘惹來了…

鐵血戰士:殺戮之地

艾麗·范寧,迪米特里烏斯·舒斯特-科洛阿瑪坦吉

  跟隨一位被部落放逐的年輕鐵血戰士,深入一片連宇宙頂級獵手都聞風喪膽的險惡之地。在那里,他將與維蘭德-湯谷公司制造的仿生人希雅(Thia)意外結盟,這位僅存上半身的仿生人,將與他共同踏上尋找終極對手的冒險征途。當“菜鳥”鐵血初次狩獵便陷入最嚴酷的試煉,一步行差踏錯即刻墜入無可挽回的深淵,唯有浴血廝殺,才能在絕境中爭得一線生機。而這場終極較量也將顛覆鐵血戰士的狩獵法則——生存并非勝利的終點,而是通往更殘酷考驗的開始。

泥娃娃

楊祐寧,蔡思韻,張軒睿,周采詩,郭雪芙,陳為民,李冠毅,高山峰,黃建群

泥娃娃,泥娃娃,一個泥娃娃??   童謠的背後,隱藏著神秘驚悚的故事。在遊戲公司工作的旭川(楊祐寧 飾),為開發一項新的恐怖VR遊戲,意外將一尊來自兇宅現場的殘破泥娃娃帶回家,沒想到懷有身孕、身為文物修護師的妻子慕華(蔡思韻 飾)對其產生異常執念,不斷進行修復。隨著家中怪事頻傳,慕華狀態也越來越虛弱,旭川無計可施,輾轉求助通靈驅魔人阿生(張軒睿 飾),而泥娃娃背後深埋的駭人祕密,也隨之浮出水面??

阿爾瑪與狼

伊桑·恩布里,李麗君,馬瑟·澤科爾,Alexandra Doke,杰雷米·哈里斯,Beth Malone,達娜·米利肯,Kevin Allison,Lukas Jann

  以俄勒岡州海岸為背景,陷入困境的警官倫·阿科德調查一起神秘的狼襲擊事件。當他關系疏遠的兒子在案件中失蹤時,事情嚴重起來。