劇情簡(jiǎn)介
When a childless couple lets a pregnant woman inside their home, temptation starts to shake their once peaceful life.
為你推薦
美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers與丈夫（安東尼·拉帕格利亞飾）慶祝完結(jié)婚25周年后不久，丈夫出差在外，達(dá)西（瓊·艾倫）在車庫(kù)找電池，卻無(wú)意中發(fā)現(xiàn)丈夫就是新聞中說(shuō)的“臭名昭著的連環(huán)殺手比蒂”。 影片的小說(shuō)藍(lán)本是金2010年出版的短篇小說(shuō)集《暗夜無(wú)星》（Full Dark, No Stars）中的一篇。金在接受采訪時(shí)說(shuō)，小說(shuō)的靈感來(lái)自于2005年被捕的美國(guó)“BTK連環(huán)殺手”丹尼斯·雷德（Dennis Rader），他就有一位結(jié)婚三十四年的妻子寶拉（Paula），對(duì)他的殺人行為毫不知情。金表示，小說(shuō)探討的是，人與人之間永遠(yuǎn)不可能完全了解，即使是最愛的人也一樣。
恐怖列車
索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格羅瑞亞·沃特西斯,Todd Jensen,Vladimir Vladimirov五名美國(guó)業(yè)余摔跤選手艾歷克斯（Thora Birch 飾）、托德、克萊爾、威利、謝爾頓，在教練帶領(lǐng)下遠(yuǎn)赴東歐參加摔跤比賽，雖然他們輸?shù)袅吮荣悾?dāng)晚仍興致勃勃參加了派對(duì)，以致耽誤了第二天開往敖德薩的火車，由于語(yǔ)言不通，他們一時(shí)買不到車票，一位說(shuō)英語(yǔ)的金發(fā)女郎出現(xiàn)，帶領(lǐng)他們登上了車站內(nèi)的一列紅色火車。 甫一上車，隊(duì)員們的護(hù)照便被形容猥瑣的男乘務(wù)員收去，這列經(jīng)過改裝的列車上賭場(chǎng)、餐車、休息室一應(yīng)俱全，隊(duì)員們很快遠(yuǎn)離其他語(yǔ)言不通的乘客，躲在休息室玩起了真心話大冒險(xiǎn)，然而在游戲進(jìn)行的過程中，托德消失在列車尾部，其他隊(duì)員也一一失蹤，艾歷克斯很快發(fā)現(xiàn)，她要獨(dú)自面對(duì)車上的幾個(gè)活體器官摘除者……
演員龜岡拓次
安田顯,麻生久美子,宇野祥平,新井浩文,染谷將太,淺香航大,杉田薰,工藤夕貴,三田佳子,山崎努演員龜岡拓次（安田顯），37歲、單身。作為演員，無(wú)論是配角還是什么角色都能出色演出，但是，人們卻怎么也記住不到他的名字。每一天的日常就是便宜的酒館里喝酒。直到有一天，收到了世界大物的甄選……
怪物2023
安藤櫻,永山瑛太,黑川想矢,柊木陽(yáng)太,高畑充希,角田晃広,中村獅童,田中裕子平靜的湖畔小鎮(zhèn)，疼愛兒子的單親媽媽早織（安藤櫻 飾）、為學(xué)生著想的爽直老師保利 （永山瑛太 飾）以及天真爛漫的孩子們本過著安穩(wěn)的生活，卻因?yàn)橐淮涡@沖突，發(fā)酵釀成軒然大波，惹起社會(huì)與媒體的關(guān)注。當(dāng)事態(tài)越見嚴(yán)重，竟在一個(gè)暴風(fēng)雨的清晨，兩個(gè)孩子雙雙失去了蹤影……
鬼影2025
Vino G. Bastian,Anya Geraldine,尼肯·安賈尼,唐尼·阿蘭西亞,安德里·馬沙迪,Rangga Nattra,Nugie,魯克曼·羅薩迪,Dewi Gita,Michelle Tahalea,Agus Mahesa,Iyang Darmawan,Angie Ang,Bayu T.,Megarita,Rinni Ruyono,Gabriella Cecilia,Widyawati,Dian Nova,Nesia Nuari達(dá)爾文是一名攝影師，他發(fā)現(xiàn)有個(gè)神秘女人總出現(xiàn)在自己的照片中。當(dāng)這個(gè)幽靈般的身影開始在現(xiàn)實(shí)生活中顯現(xiàn)時(shí)，他的女友皮亞開始調(diào)查這個(gè)鬼魂的身份，最終發(fā)現(xiàn)它與一名名叫莉莉斯的前大學(xué)學(xué)生有關(guān)。當(dāng)達(dá)爾文的朋友們開始陸續(xù)死亡時(shí)，皮亞懷疑這些鬼魂事件與達(dá)爾文的過去惡行有關(guān)。
慳錢家族
楊千嬅,陳奕迅,鄭裕玲,曾志偉,黎耀祥,何超儀典型都市女性Diana（鄭裕玲 飾）有著驕人的事業(yè)成績(jī)，也積極經(jīng)營(yíng)著自己的愛情。可是香港經(jīng)濟(jì)不景氣，她與同公司的小職員韋大漢（曾志偉 飾）都在了裁員的名單上。韋大漢早年妻子因?yàn)楹觅€離家出走，丟下了女兒千華（楊千嬅 飾）及小兒子萬(wàn)華需要供養(yǎng)。他向兒女隱瞞自己已經(jīng)被解雇的事實(shí)，可是Diana的出現(xiàn)讓千華及弟弟都知道了爸爸的真實(shí)情況。原來(lái)Diana的出現(xiàn)是想跟他們參加一個(gè)家庭制的游戲，只有勝出游戲，電視臺(tái)便會(huì)原價(jià)收購(gòu)他們的負(fù)資產(chǎn)業(yè)。Diana是一個(gè)自私冷酷的人，在游戲的過程中，被大漢付出在兒女身上的感情而改變了她。千華也在游戲中與導(dǎo)演（陳奕迅 飾）產(chǎn)生了感情。游戲最終由他們勝出，可是千華親生母親的出現(xiàn)使局面徹底改變了……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.