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莉頓·梅斯特,托比·瓊斯,本·巴恩斯,哈威·凱特爾,肯尼·沃莫爾德 ,里特奇·科斯特,保羅·本-維克托,Slaine,William Xifaras,Jay Giannone,Julie Ann Dawson,Stacey Queripel,Billy 'V' Vigeant,Armen Garo,Michael Yebba小倩2024
邊江,張惠霖,陳張太康,張思王之,傅晨陽,盧力峰,孫睿揚,郭政建,林蘭,妶耳,錦鯉,張雨濛,白望文一逆向誘拐
蘇麗珊,吳肇軒,邵仲衡,朱鑒然,梁曉豐,陳曾寧,泰臣,蔣祖曼,楊秉基,岑珈其,黃修平,王敏德,葛民輝,曾翠珊,賴恩慈,張雪芹,曾江,陳豪,邵音音,何故,黃竣鋒,梁雍婷,吳良榮,袁文杰,周群達,覃恩美,古天祥,許博文丟失的彩票
翁拉維·那提通,芬蒂拉·皮皮亞克隆,娜帕帕·丹特拉庫爾,蘇提拉克·素維杰拉包寶寶
丹尼爾·凱林,辛迪·勞聯合艦隊司令長官:山本五十六
三船敏郎,加山雄三,司葉子,稻葉義男,土屋嘉男,平田昭彥同類推薦
分秒間離
奧蘭多·瓊斯,Edmund Entin,Gary Entin在一次尋常的大學生家庭派對上,荷爾蒙過剩的青年們盡情玩耍。然而當晚卻發生了一起血腥慘劇,數名校隊運動員在地下室玩俄羅斯輪盤賭,最終導致4人身亡。在此之后,蘭普金警探(Orlando Jones 飾)受命調查此事,并走訪了死亡大學生所在的教會學校。通過對死者朋友們的盤查,他將盤問對象所定在喬納(Edund Entin 飾)和賽斯(Gary Entin 飾)身上?! 碳{和賽斯是一對俊美的雙胞胎,他們有著極高的智商,卻為周圍的同學所不容,共同視他們二人為怪胎。他們雖然經常拿著攝像機在學校走來走去,不過早已被他人當作空氣。隨著蘭普金調查的深入,這對神秘兄弟的關系也變得越來越微妙……
鬼店另有主
薩拉·帕克斯頓,帕特·希利,凱莉·麥吉利斯克萊兒(莎拉·派克斯頓 Sara Paxton 飾)和盧克(派特·希利 Pat Healy 飾)是一家有著悠久歷史的洋基旅舍(Yankee Pedlar)的店員,無盡長夜中,兩人插科打諢,海闊天空神聊,順便應付各種各樣的客人。這家旅舍以鬧鬼著稱,傳說曾有個名叫瑪德琳·奧馬利的新娘,在旅舍舉行婚禮的當天上吊自殺。店主害怕影響生意,于是偷偷藏起尸體長達三天時間。事發后店主引起民眾的憤慨,而鬧鬼的傳言也不脛而走??巳R兒與盧克架起攝像機拍攝旅社的超自然畫面,并試圖探訪鬼魂的真面目,這個糟糕的決定將他們帶入萬劫不復…… 本片榮獲2011年尖叫電影節(Screamfest)最佳配樂獎、2011年多倫多午夜電影節特別獎觀眾選擇最恐怖影片。
沒問題2021
梁龍,徐潔兒,范帥琦,賈天明,王宏偉,遲志強,鄒德江,丁鶴,黃靖芯,謝昀杉,大兵東北某市,晨報主任左守權得知與前妻生活多年的女兒,在校組建“問題樂隊”,不務正業,恐將被學校處分。老左欲將女兒留在家鄉從事鐵飯碗工作,左明明卻欲南下逐夢。老左苦口婆心勸說不成只好四處托人求助。女兒英語老師呂有容,因兒子轉學之事有求于老左,兩人化干戈為玉帛,惺惺相惜。由此引發左明明誤會其二人有茍且之事,羞怒至極,父女決裂。左明明終日與樂隊混跡夜場,幾乎放棄學業。老同學牛校長涉嫌違紀,牽連老左被停職。呂老師因和老左的一條醉酒視頻丟了工作。關乎女兒學位的英語四級考試,也只剩下最后機會。 為了女兒的未來,老左找來女兒樂隊吉他手小馬協助,準備孤注一擲……
養鬼吃人3
Terry Farrell , Paula Marshall , Kevin Bernhardt , Doug Bradley在經歷了前兩集的失敗之后,修道士還不死心.他發現那個邪惡的魔方被一個花花公子買走了,于是他以這個花花公子做誘餌來吸引犧牲品,在人間大開殺戒.修道士打算把魔方毀去,這樣他就永遠不用再回到地獄.但是一個女記者發現了這些可怕的兇殺案,并將修道士又一次送回了地獄.....
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster