我的女兒，我的天使

? 4.1 播放：51萬 2026-04-27

為政府工作的格曼（Michel C ocirc;t eacute; 飾）最近要送女兒娜塔莉（Karine Vanasse 飾）去蒙特利爾讀大學(xué)了，雖然兩地車程不過幾個小時，然而格曼與妻子仍然放心不下，女兒的大學(xué)生活果然出現(xiàn)了波折：一名與她有關(guān)系的男青年被人槍殺在堆滿毒品與色情錄像帶的家里娜塔莉的好友安琪莉可為生計問題投身色情行業(yè)，受其影響，擺脫家庭束縛的娜塔莉很快在同色情網(wǎng)站老板呂克的交往中得到釋放自身的感受，并準(zhǔn)備為呂克的網(wǎng)站錄制影片。正巧預(yù)告視頻被父親看到，格曼瞞著妻子奔赴蒙特利爾，試圖阻止事情發(fā)生。格曼假意為呂克帶來合作項目，在按捺憤怒的同時逐漸深入到色情網(wǎng)站的幕后運作中以等待時機(jī)兇殺案探員登門造訪，這讓一家人空前團(tuán)結(jié)，而事情的真相更令人錯愕。本片獲2008年加拿大朱特獎最佳女配角獎。 　　

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劇情提要

為政府工作的格曼（Michel C ocirc;t eacute; 飾）最近要送女兒娜塔莉（Karine Vanasse 飾）去蒙特利爾讀大學(xué)了，雖然兩地車程不過幾個小時，然而格曼與妻子仍然放心不下，女兒的大學(xué)生活果然出現(xiàn)了波折：一名與她有關(guān)系的男青年被人槍殺在堆滿毒品與色情錄像帶的家里娜塔莉的好友安琪莉可為生計問題投身色情行業(yè)，受其影響，擺脫家庭束縛的娜塔莉很快在同色情網(wǎng)站老板呂克的交往中得到釋放自身的感受，并準(zhǔn)備為呂克的網(wǎng)站錄制影片。正巧預(yù)告視頻被父親看到，格曼瞞著妻子奔赴蒙特利爾，試圖阻止事情發(fā)生。格曼假意為呂克帶來合作項目，在按捺憤怒的同時逐漸深入到色情網(wǎng)站的幕后運作中以等待時機(jī)兇殺案探員登門造訪，這讓一家人空前團(tuán)結(jié)，而事情的真相更令人錯愕。本片獲2008年加拿大朱特獎最佳女配角獎。 　　

幕后花絮

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

滅絕2015

　　不知曾幾何時，地球突然爆發(fā)恐怖的喪尸病毒，成千上萬的人被病毒感染，隨后化作嗜血喪尸撕咬同類，正常人類的數(shù)字直線減少。帕特里克（馬修·福克斯 Matthew Fox 飾）和杰克（杰弗里·多諾萬 Jeffrey Donovan 飾）當(dāng)年乘坐巴士疏散，誰知途中遭遇最慘烈的 事件，這兩個男人以及一個尚在襁褓中的小嬰兒成為唯一的幸存者。九年后，地球上人類所剩無幾，杰克以及當(dāng)年的嬰兒——可愛的小女孩露（奎恩·麥克科甘 Quinn McColgan 飾）住在一個寒冷的山村，父女倆相親相愛，甜蜜溫馨。與之相對，胡子拉碴的帕特里克與他們比鄰而居，他似乎與杰克有著深深的隔膜。　　某個飄雪的夜晚，露意外在院落外目擊到久未出現(xiàn)的喪尸的行蹤，曾經(jīng)的噩夢再度浮現(xiàn)……