兒子的妻子

評分：5.1 播放：22萬 更新：2026-04-23
主演： 李采潭 韓世熙 

哲宇懷著緊張的心情帶回老家。幸好，哲宇的父親暻秀非常喜歡賢真，并不是結(jié)婚的關(guān)系，但哲宇在出差期間一起生活。不僅如此，擔(dān)心賢真會感到不舒服的暻秀甚至叫了大兒子正宇和珠恩開始形成奇妙的氣氛 　

影片推薦

同類精選

影視排行

殺手護士

米婭·查利斯,喬內(nèi)塔·凱澤,羅布·梅耶斯

　　當(dāng)一名護士同事在神秘的情況下死亡后，兩名巡回護士必須撥開醫(yī)院里重重秘密迷宮，才能揭露兇手。

三滴血2025

胡歌,文淇,高子淇,閆妮,宋佳,高葉,歐豪,李雪琴,楊新鳴,艾麗婭,馬迎春,張奕聰,王悅伊,張本煜,汪鐸,劉千慈

　　三，是家的最小單位。血脈，是維系家庭的紐帶。然而，三個素不相識的人卻被命運交織在一起！　　善惡難辨的男人“馴鹿”，身懷六甲的女人李棋，啞巴男孩冰棍，三人假扮成一家人，游走于獵物與獵人之間，暗流已至，生死一瞬，一個關(guān)于家族式人口販賣的黑暗鏈條逐漸浮出水面！

死人開關(guān)

比爾·斯卡斯加德,戴克·蒙哥馬利,阿爾·帕西諾,加利·艾爾維斯,科爾曼·多明戈,米哈拉·赫羅德,約翰·羅賓森,喬丹·克萊爾·羅賓斯,肖恩·麥克布萊德,John N. Dixon,Casey Feigh,Eric Severs,斯蒂芬妮·伯托尼,Andy S. Allen,Neil Mulac,Katie Kinman,Todd Gable,Don Overstreet,Mark Helms,Kevin Ragsdale

 故事發(fā)生在1977年2月8日，圍繞一名44歲的前房地產(chǎn)開發(fā)商Tony Kiritsis展開。他用槍劫持了貸款公司總裁Richard O. Hall，并在其身上綁了一個“死亡開關(guān)”，以此脅迫這位總裁在幾近零度的天氣里當(dāng)著警察和記者的面穿過市中心的街道。

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster