播放通道
詳細簡介
熱門影視 大家都在看
安身何處
比爾·薩奇,埃迪·法可,Tatiana Abracos,Aida Johaness,杰·托馬斯,Jade Golden阿提克斯研究所
萊亞·吉斯特德,威廉·麥鮑瑟,莎朗·摩翰,約翰·魯賓斯坦,Hannah Cowley,Rob Kerkovich,杰拉爾德·麥卡洛克,Trisha Rae Stahl,朱麗安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·貝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth奪命微笑2
娜奧米·斯科特,凱爾·加爾納,德魯·巴里摩爾,羅絲瑪麗·德薇特,盧卡斯·蓋奇,迪蘭·格魯拉,彼得·雅各布森,雷·尼科爾森,勞爾·卡斯提洛,達芙妮·澤利,邁爾斯·古鐵雷斯-賴利,Zebedee Row,Delphi Harrington,Micaela Lamas,David Peter White星河戰隊3:掠奪者
卡斯帕·范·迪恩,喬琳納·布拉洛克,斯蒂芬·霍根,波瑞斯·科喬,阿曼達·多諾休,瑪內特·帕特森,斯特里奧·薩萬特,坦婭·范·格拉恩,Antonio Summerton,Nicole Salandra,柯基·法爾考,史蒂芬·詹寧斯,Rob Vega,格蘭特·斯旺比,Damon Berry,喬·瓦茲,卡爾·桑寧,蒂龍·基奧,凱文·奧托,勞倫·麥格雷,Tarryn Page,邦戈·姆布圖馬,科里·伯頓,凱瑟琳·奧克森伯格南部僵尸來襲
Megan Few,Jeremy Sande,Michael Joiner馬路天使
珍妮·蓋諾,查爾斯·法萊爾,娜塔莉·金斯頓,亨利·阿爾梅塔,圭多·特倫托,阿爾貝托·拉巴利亞蒂,路易斯·利格特,彌爾頓·迪克森同類推薦
布賴頓硬糖
薩姆·賴利,安德麗婭·賴斯伯勒,海倫·米倫,約翰·赫特,菲爾·戴維斯,儂索·阿諾斯,克雷格·帕金森,安迪·瑟金斯,西恩·哈里斯,杰夫·貝爾,史蒂文·羅伯特森,莫里斯·洛維斯,斯蒂夫·艾弗茨,Francis Magee,Adrian Schiller英國海濱小鎮布賴頓,凱特斯和卡林奧里兩大黑幫組織盤踞于此,互相角力,此消彼長。某夜,凱特斯被對頭當街殺害,視老大如親父的平基(Sam Riley 飾)目睹了兇案的全過程,于是想參與者之一的福瑞德(Sean Harris 飾)展開追殺。福瑞德雖死,卻留下一堆的麻煩,他生前為了躲避跟蹤曾某餐館女侍應生羅絲(Andrea Riseborough 飾),并與之留下合影。為了銷毀證據,平基開始接近這名單純的女孩,而羅絲也漸漸愛上了帥氣冷酷的平基。與此同時,凱特斯的死亡也讓布賴頓的黑幫勢力失衡,一方面卡林奧里迅速擴張,一方面本幫內部展開權力爭奪,平基深陷其中無法自拔…… 本片根據Graham Greene 的小說改編。
加州套房
簡·方達,阿倫·阿爾達,瑪吉·史密斯,邁克爾·凱恩,沃爾特·馬修故事發生在加州酒店之中。著名演員戴安娜(瑪吉·史密斯 Maggie Smith 飾)和丈夫西德尼入住酒店,戴安娜獲得了奧斯卡金像獎的提名,信心滿滿的她相信自己一定能夠獲獎,哪知道事與愿違,憤怒的戴安娜只想著趕緊離開這個讓她感到傷心的地方。漢娜(簡·方達 Jane Fonda 飾)帶著女兒也住在酒店之中,她此行的目的是和同自己離婚已久的前夫比爾(阿倫·阿爾達 Alan Alda 飾)見面。女兒煩透了母親的獨斷專決,希望能夠留在這里和父親生活一段時間。馬文(沃爾特·馬修 Walter Matthau 飾)比妻子早一天入住了酒店,哪知道自己的好哥們居然送了自己以為金發美人作為大禮。
刀馬旦
鐘楚紅,林青霞,葉倩文,鄭浩南,午馬,張國強,秦沛,谷峰,曾江,吳君如民初時代國家動蕩不安,軍閥割據導致民不聊生。曹云(林青霞飾)是大軍閥曹將軍的女兒,也是一個愛國者。但是不愿見到父親幫助袁世凱以國家的名義向外國銀行借貸巨款,讓國家的財務更雪上加霜,于是偷偷與革命人士聯絡。但是一邊是國家,一邊是父親也讓曹云不知如何取舍而陷入內心的掙扎。白妞(葉倩文飾)從小在戲班春和班長大,被戲班主的父親(午馬飾)當作丫環使,癡迷唱戲的她一直希望登臺表演,卻沒有機會;湘紅(鐘楚紅飾)是一位貪財的歌妓,趁某軍閥逃跑時偷走其家中一大箱珠寶,卻誤打誤撞讓珠寶運進了春和班里。這三位在姻緣巧合下結識,透過這三位主角的生命交錯,共同譜出一段愛國傳奇......
魔力,魔力
艾米莉·布朗寧,邁克爾·塞拉,朱諾·坦普爾,卡塔琳娜·桑地諾·莫雷諾,阿古斯丁·席爾瓦第一次出國的艾莉西亞從加州到了南美,并和表姐的朋友們一起,踏上了一段遠離城市的旅程。然而表姐半途有事而返,留下她與三個陌生人。這三個陌生人中,一個是時不時做出奇怪舉動,說話不顧后果,甚至有虐 待傾向的同性戀,一個是郁郁寡歡,總是板著面孔,似乎對艾莉西亞做的任何事都不滿意的大姐,還有一個是表姐那個看起來雖然友善,卻癡迷于催眠術的男朋友。面對陌生的國度,奇怪的人,空蕩的房間,狂野的世界,艾莉西亞脆弱的神經不斷受到挑戰。失眠、夢魘、幻覺帶來了焦慮、驚恐、不安,艾莉西亞要怎樣走完這一段旅程,又是否能脫離險境?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.