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鼠膽威龍
張子棟,徐巾淇,趙雷棋,武文佳,強巴才丹,劉佩琦,李奎,張慶慶,鞏小榕正義聯盟：無限地球危機(上)
馬特·波莫,詹森·阿克斯,達倫·克里斯,梅格·唐納利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆圖,喬納森·亞當斯,艾克·阿瑪迪,吉奧弗瑞·阿倫德,扎克·卡利森,亞歷山德拉·達達里奧,阿拉斯泰爾·鄧肯,艾托·艾桑多,Cynthia Hamidi,阿爾迪斯·霍吉,石井恵梨香,大衛·卡耶,阿什莉·拉特羅普,馬特·蘭特爾森英恵蝴蝶之外
八木莉可子,中島裕翔真正的痛苦
杰西·艾森伯格,基南·卡爾金,福田知盛,詹妮弗·格雷,庫爾特·埃賈萬,麗莎·薩多威,丹尼爾·奧雷斯克斯,埃洛拉·托爾基亞,班納·艾森伯格,彼得·查赫尼埃基,雅各布·貢索夫斯基,奧爾哈·博索瓦,克日什托夫·雅什查克,馬雷克·卡斯普日克,雅各布·普魯斯基離奇劇院
烏多·基爾,維吉尼亞·紐科姆,卡特里娜 馬科爾,艾米莉婭·戈薩姆,維多利亞·莫蕾特,麗莎·貝爾,安德烈·赫尼克,蘇珊·安貝赫,哈維·弗里德曼,戴比·露珍,湯姆·薩維尼,卡內赫迪奧·霍恩,琳恩·勞里,杰西卡·瑞默斯,艾麗莎·道林,杰夫·迪倫·格雷厄姆,達蒙·帕卡德,惠特尼·穆爾,Alex Ivanovici,Amanda Marquardt,Rachelle Glait,Erin Marie Hogan,Jeremy Gladen,Lindsay Goranson,James Gill維也納戰役
F·默里·亞伯拉罕,恩里克·洛維索,杰茲·斯科利莫夫斯基,艾麗卡·巴赫蕾達-庫魯斯,彼得·亞當奇克,Andrea Iaia,克萊爾·布魯姆,Matteo Branciamore,Marius Chivu,安東尼奧·庫普,喬治·盧帕諾,菲德莉卡·馬丁內莉,詹尼·穆西,達尼爾·奧勒布里斯基,伊莎貝拉·奧爾西尼,波利斯·席克,約爾戈·沃亞吉斯,山內春彥,沃伊切赫·麥克瓦爾達斯基,白蘭度·帕奇托,安吉麗卡·卡琪亞帕格莉亞,馬達林·德拉甘,斯蒂芬·揚庫,Edward Linde-Lubaszenko,Daniel同類推薦
太空異種2026
魏璐,林妍柔,柳揚,王銘,安澤豪,王勉,鄒瑋祺,孫競爭,朱智煌,劉靜怡未來世界，在一艘名為“蒼穹號”的飛船上，船長梁承天帶領著船員們經常在星際之間從事采集礦物質的買賣，以此來獲得巨大的經濟利益。雖然他們在多次采集過程中偶爾會遇到危險，但最終也都能安全返航。 直到這次，梁承天帶著船員們在銀河系中，意外找到一顆六千萬年前爆炸的超新星，他們在附近采集到了稀有的礦物質，從而能獲得巨額利益。可因利益分配不均，各懷心事的船員們就此踏上返航之旅。 在返航途中“蒼穹號”意外接到了一組未知的求救訊號。他們成功救下了“創世紀號”的生物學家林修遠和他的妻子Angel，而梁承天在救援的過程中也意外受傷。
獵殺大行動
亞歷克·鮑德溫,Kelly Lynch,Mary Stuart MastersonA hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
無眠覺醒
吉娜·羅德里格茲,沙米爾·安德森,詹妮弗·杰森·李,阿麗亞娜·格林布拉特,巴里·佩珀,弗蘭西絲·費舍,吉爾·貝羅斯,菲恩·瓊斯,塞巴斯蒂安·皮戈特,塞爾吉奧·齊奧,亞歷克斯·豪斯,盧修斯·霍約斯,特洛文·海斯,肖恩·艾哈邁德,朱莉婭·迪揚,羅伯特·巴佐齊,柴·瓦拉達雷斯,凱特琳娜·塔克西亞,瑪莎·格爾文,埃利亞斯·艾德拉基,Michael Hough一場席卷全球的神秘事件摧毀了所有的電子設備，剝奪了人類的睡眠能力，世界陷入混亂。吉爾（羅德里格茲飾）是一名往事不堪回首的退伍軍人，而她的女兒也許是挽救一切的關鍵。那么問題來了，吉爾能否在失去理智之前安全地護送女兒并拯救世界？
惑星大戰爭
宮內洋,平田昭彥,沖雅也,森田健作,淺野優子,池部良西暦1988年。人類は謎のUFO群の襲來により危機に瀕していた。人類の存亡をかけ、南海の秘密基地で建造されていた國連宇宙防衛艦?轟天は発進する。侵略者の正體は、太陽系から2萬2千光年離れたメシエ13と呼ばれる球狀星団?恒星ヨミの第三惑星人だった。彼らは年老いた母星そっくりの地球を征服すべく、指揮官ヘルのもとに金星に侵略の前線基地を築いていた。敵ヘルファイターとの激しい戦闘をくり返し、金星に向かう轟天。しかし、その前に敵の超努級戦艦?大魔艦が立ちふさがる……。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.