獵殺大行動

亞歷克·鮑德溫,Kelly Lynch,Mary Stuart Masterson

　　A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.

超乎想象2

丹尼斯·奎德,阿莉爾·凱貝爾,米洛·文堤米利亞,索菲亞·斯凱爾頓,喬比·詹姆斯,特雷斯·阿德金斯,約書亞·巴塞特,安赫拉·約翰遜,杰森·伯基,Del Sable,艾比·格洛弗,薩米·戴爾,妮可兒·德伯特,蘭迪·麥克道維爾

 Bart Millard, lead singer of MercyMe, faces a personal crisis at the peak of his success. As his world unravels, he struggles with his beliefs and inner demons while seeking a path through adversity.

不信地獄

南相美,柳承龍

　　在首爾求學的女大學生康喜真（南相美 飾）每日奔波勞碌，疲憊不堪。這日她接到母親的電話，竟得知妹妹邵真（沈恩京 飾）失蹤，下落不明。她匆匆趕回老家，然而母親執迷不悟，以為只靠虔誠的祈禱邵真就能返回家中。面對母親的麻木，喜真只得報警，但警官泰煥（柳承龍 飾）只將其當作一般的離家出走處理。　　不久，一個女子在喜真家的窗前吊頸并墜樓而死。泰煥從死者房間找到一封遺書，其中甚至提到邵真的名字。泰煥無法從喜真母親那里得到任何線索，只得從小區管理員那里探知線索。卻得知邵真竟一曾被鬼附身，整個案件開始朝著詭異的方向發展……

沒有面孔的眼睛

皮埃爾·布拉瑟,愛迪絲·斯考博,阿莉達·瓦利,朱麗葉特·麥涅勒,亞歷山大·里尼奧,貝亞特麗斯·阿爾塔里巴,夏爾·布拉韋特,克洛德·布拉瑟,米歇爾·埃切韋里,伊薇特·埃蒂耶旺,勒內·熱南,呂西安·于貝爾,馬塞爾·佩雷斯,弗朗索瓦·介朗

　　生物學教授詹尼西爾（Pierre Brasseur 飾）因一次車禍使心愛的女兒克莉絲汀（Edith Scob 飾）面容盡毀，女兒傷愈后只能終日戴著瘆人的白色面具，痛苦非常。愛女心切且心懷內疚的詹尼西爾與助手路易絲（Alida Valli 阿莉達?瓦莉 飾）偽裝克莉絲汀失蹤、死亡的假象，暗中誘拐與女兒年齡相仿的女性，將其麻醉后剝掉面皮，移植到克莉絲汀臉上。　　但手術接連失敗，犧牲者也不斷增加。親眼所見諸多同齡女孩慘遭殺害，克莉絲汀心中痛苦不已。另一方面，眾多女孩失蹤的案件也引起了警方的注意，他們逐漸將目標鎖在瘋狂的詹尼西爾身上……

一馬當先

Biju Menon,阿西夫·阿里,Miya George

　　退休的副警察局長烏達亞巴努（Udhayabhanu）在電視節目中講述了他職業生涯中的一些事件。這就是他如何揭示其職業生涯中具有里程碑意義的 “切帕南托塔案 ”中耐人尋味的細節。當嚴厲的巡回督察賈亞山卡爾（Jayashankar）和巡警卡爾蒂克（Karthik）開始一起工作時，一連串的事件就開始了。他們經常因為處理情況和解決問題的方法不同而發生沖突。在家人、朋友、敵人和上司的注視下，他們以各自獨特的風格，試圖解開糾纏不清的困境。誰能迎接挑戰，又能以多快的速度完成任務？

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

愿者安息

里法特·桑賈爾,Emrah Altintoprak,Cansu Türedi

　　Cemal, a lonely hearse driver, has to transport the body of a young woman who has been murdered to her parents' home. During the trip, however, the body comes to life and when he sees her, Cemal falls in love with the undead woman. This is when he begins to commit murders in order to feed her, even if it means having to deal with the police's attempts to capture a serial killer.