白日夢2
身穿和服的美麗女子錦戶坂江(霧浪千壽暫無內(nèi)容飾)正在尋找牙科醫(yī)生,騎著摩托的青年田之邊慎吉(遠(yuǎn)水健二暫無內(nèi)容飾)為坂江指明路線,并載著她前往醫(yī)院。
劇情簡介
身穿和服的美麗女子錦戶坂江(霧浪千壽暫無內(nèi)容飾)正在尋找牙科醫(yī)生,騎著摩托的青年田之邊慎吉(遠(yuǎn)水健二暫無內(nèi)容飾)為坂江指明路線,并載著她前往醫(yī)院。
為你推薦
北地獵人
柯里·瑟威爾,羅絲安妮·休佩諾特,Michelle Thrush,朱利安·布萊克·安蒂洛普,納森尼爾·阿坎德,Roger LeBlanc,Kevin Davey,Jerome Paton,Paul Welch,Cameron Gerlitz,Stephane Legault,Jonathan Purvis,John Barry Graham,Tessa Hatheway,Emiko ShimozawaIn the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.
繼續(xù)跳舞
繆騫人,林建明,黃霑,周文健,孟海資深電視人甘國亮和《跳灰》新浪潮電影人梁普智聯(lián)合導(dǎo)演,1988年喜劇《繼續(xù)跳舞》由繆騫人、新馬師曾、曾志偉、吳耀漢、黃沾、李香琴、孟海、林憶蓮和林建明主演,片中繆騫人更一人飾演兩角,分別是孖生姊妹長娥和次娥。次娥本來住在精神病院中,但是她用巧計將長娥騙入院中,并對調(diào)身份,然後到社會上尋找負(fù)心的前夫。 故事講述次娥在過程中遇上了單戀長娥的郵差,又因看風(fēng)水而認(rèn)識了富翁唐沙翁。三人之間竟然相處融洽。而長娥本來只想在院中作短暫的停留,但是每日接觸稀奇古怪的醫(yī)護人員和病人後,竟然發(fā)現(xiàn)這種生活別有樂趣,逐漸淡忘外界的一切,包括自己的未婚夫在內(nèi)……
楊非與高俐
劉道玄,彭必瑤,潘國棟,劉占奎,陳緯,高果高俐醉酒被強哥等人綁架索贖金一億,楊非因父需百萬手術(shù)費趕路時車被同一伙劫匪搶走。二人相遇后,楊非助高俐斗綁匪,發(fā)現(xiàn)高俐與曾因治妻病抵押房產(chǎn)、借高利貸卻致家庭破裂的父親有矛盾。最終高俐獲救,與父和解,楊非湊齊手術(shù)費,二人相戀。
身體集合.zip
金玟錫,金彩恩,權(quán)雅凜,姜俊圭,金亞炫,趙宇麗老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式,信徒們依序祈願並獻(xiàn)上祭品。接著終於輪到詩京了,這時她才驚覺祭品竟然是身體的一個部位,這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事,當(dāng)集滿身體所有部位時,血淋淋的恐懼就會覺醒!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
獵夢人
陳孝良,米咪故事發(fā)生在2050年,藍(lán)小瑋是一個研究員,她研發(fā)了“零接觸”的技術(shù)--通過佩戴特殊的頭盔,將兩個人的腦電波連接起來實現(xiàn)夢境的連接。這天,一個便衣警探余警官找到研究所,要求小瑋使用零接觸的技術(shù)幫他偵破一個極為棘手的案件。小瑋覺得這案件跟母親的昏迷案件有關(guān),盡管知道危險,還是不聽父親的阻止,接受這個任務(wù)了。小瑋通過網(wǎng)絡(luò)連接的方式進(jìn)入昏迷者易田的夢境,隨后搗蛋的余警官也偷偷尾隨而來,兩人在這個奇怪的世界跌跌撞撞,搞笑百出,也危險重重,兩人配合警探父親,終于找到真兇竟然就是實驗室的研究員,至此故事告一段落。
那個孩子是誰?
澀谷凪咲,早瀨憩,山時聰真,荒木飛羽,今森茉耶,蒼井旬,染谷將太,松尾諭,小原正子,槙田雄司擔(dān)任臨時教師的君島穗香(澀谷凪咲),目擊了一個女學(xué)生從屋頂跳下的瞬間。當(dāng)她在暑假補習(xí)班上課時,又注意到有個不應(yīng)該存在的學(xué)生。不久后,穗香與補習(xí)班的三浦瞳(早瀨憩)、前川武(山時聰真)等學(xué)生們,得知了與那個女學(xué)生有關(guān)的令人震驚的事實。