大汲嘢

★ 0.1 播放：14萬(wàn) 更新：2026-04-28

陳寶蓮為一雜志出版社主持人，為增加女性讀者人數(shù)，要開(kāi)辟一新專欄，揭開(kāi)男士往外地游玩之冶游方式，遂指派初哥李中寧擔(dān)任此任務(wù)。“老馬”黃光亮見(jiàn)自己未能得到此風(fēng)流任務(wù)，心感不忿。李中寧馬不停蹄遍游臺(tái)、日、法國(guó)等地風(fēng)月場(chǎng)所后向主編匯報(bào)，但主編認(rèn)為消費(fèi)太高，非一般讀者能負(fù)擔(dān)得起，李靈機(jī)一動(dòng)，想起澳門才是熱門“性”地……

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劇情簡(jiǎn)介

陳寶蓮為一雜志出版社主持人，為增加女性讀者人數(shù)，要開(kāi)辟一新專欄，揭開(kāi)男士往外地游玩之冶游方式，遂指派初哥李中寧擔(dān)任此任務(wù)。“老馬”黃光亮見(jiàn)自己未能得到此風(fēng)流任務(wù)，心感不忿。李中寧馬不停蹄遍游臺(tái)、日、法國(guó)等地風(fēng)月場(chǎng)所后向主編匯報(bào)，但主編認(rèn)為消費(fèi)太高，非一般讀者能負(fù)擔(dān)得起，李靈機(jī)一動(dòng)，想起澳門才是熱門“性”地……

導(dǎo)演精選

魔鬼名校

　　Assigned by the professor, 5 senior university students were invited to the old mansion belongs to ML.Salukjit, an old elite who welcomes them with her weird attitude. Before the decision to leave or stay has been made, ML.Salukjit terrifies them and reveals her demonic power.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

偽術(shù)奇才

A noir portrait of Italy in the Seventies.