即刻觀影
劇情賞析
編輯推薦
再見六月
凱特·溫斯萊特,托妮·科萊特,海倫·米倫,安德麗婭·賴斯伯勒,蒂莫西·斯波,約翰尼·弗林,斯戴芬·莫昌特,杰里米·斯威夫特,拉扎·杰夫里,詹姆斯·德萊頓,費塞友·阿金那德,李丹,Flora Jacoby Richardson,米歇爾·帕克,Nancy Hannan,James Trevelyan Buckle,Elias Whittaker,Benjamin Shortland,Billie Wren-Grace Butler,Nellie Rae-Grace Butler故事發生在圣誕節前夕，母親的健康突然出狀況，讓四名成年子女和他們令人頭痛的父親慌了手腳，面對可能即將發生的失去，家庭氣氛也混亂失衡。但聰明的母親六月處變不驚，以犀利的幽默、坦率的態度和豐沛的愛，安排好自己的人生謝幕。
我家的律師又惹麻煩了
室毅,木南晴夏,吉瀨美智子,菅野莉央,日向亙,入山法子,東根作壽英,本多力,早瀨憩,安達祐實,村川繪梨,松尾諭,時任三郎,酒向芳,戶田惠子,渡部篤郎,濱津隆之由于杏（平手友梨奈 飾）轉往美國的法律事務所，藏前（室毅 飾）失去了負責照看的律師，因此被所長暗示即將終止契約。剛好此時，他得知人氣“藝能型律師”樋口新（木南晴夏 飾）正準備從事務所獨立開業。藏前隨即親自上門請求：“請務必讓我在您手下工作。”在被爽快答應的當場，他慌忙簽了文件，卻不知道這正是“地獄的開端”。
雷霆營救
安志杰,Vanessa,羅偉,趙儒嫣,Alleyn,柯恬柔,Hamid,高明燊講述退役特種兵程凱，為尋找失蹤的醫療隊員妻子肖玲，孤身闖入恐怖勢力猖獗的沙查爾地區。他潛入核心據點塔林，與盤踞此地的雇傭兵展開較量。期間受被擄女孩米拉的關鍵幫助，二人躲避追殺，歷經重重艱險，最終成功沖破封鎖，將米拉救出雇傭兵的魔掌的故事。
政壇新星
艾瑪·麥基,杰米·李·柯蒂斯,伍迪·哈里森,阿尤·艾德維利,杰克·勞登,庫梅爾·南賈尼,艾伯特·布魯克斯,麗貝卡·豪爾,朱莉·卡夫娜,貝琦·安·貝克,斯派克·費恩,茜多·塞絲,Amelie McKendry,阿德里安·M·蒙波因特,喬伊·布魯克斯,埃里卡·麥克德莫特,肖恩·菲茨吉本,Kellen Raffaelo,Carrie Adams,Michael Steven Costello34歲的年輕女子Ella McCay（艾瑪·麥基 Emma Mackey 飾）當上了州長，需要努力平衡政壇職責和家庭生活。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
智能女傭
尼克·卡魯喬,Hailey Mauk,朱麗葉·塞茜爾在妻子的意識被轉移到機器人中后，一個鰥夫發現自己陷入了一個致命的三角戀中，嫉妒的人工智能竭盡全力阻止他與一個新女人繼續前進。