暴風雨事件

3.2 播放:98萬 更新:2026-04-22
主演: promotetax 

高中同學金(瀉湖)和(限定)。摯友的兩人大學畢業后的就業不只是生活著。金表面,豪爽大方,家長的頑固的父親總是責備自己,成長了。特別是,學生時代的模范生,覆讓人稱贊自己吝嗇的父親每次都被韓總比沒有稱贊..

即刻觀影

劇情賞析

高中同學金(瀉湖)和(限定)。摯友的兩人大學畢業后的就業不只是生活著。金表面,豪爽大方,家長的頑固的父親總是責備自己,成長了。特別是,學生時代的模范生,覆讓人稱贊自己吝嗇的父親每次都被韓總比沒有稱贊..

編輯推薦

地下角斗士

戴拉·紹,黎唯,黎明

  Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.

猩球崛起3:終極之戰

安迪·瑟金斯,伍迪·哈里森,斯蒂夫·扎恩,卡琳·考諾娃,阿米爾·米勒,泰瑞·諾塔里,泰·奧爾森,邁克爾·亞當思韋特,托比·凱貝爾,加布里埃爾·查瓦里亞,朱迪·格雷爾,莎拉·坎寧,德文·達爾頓,阿萊克斯·潘諾維奇,亞歷桑德羅·朱利安尼,馬克斯·洛伊德-瓊斯,蒂莫西·韋伯

  凱撒(安迪·瑟金斯 飾)領導的猿族將被迫與殘暴的Colonel(伍迪·哈里森 飾)領導的人類軍隊上演一場生死大戰。猿族在戰斗中遭遇了前所未有的重創,由此激發了凱撒內心中黑暗的一面,心中燃起復仇的烈火。最終,凱撒與Colonel面對面進行了一場關乎猿族和人類命運的終極之戰。

膚色

喬納森·塔克,杰克遜·羅伯特·斯科特,丹妮爾·麥克唐納,朗尼·查維斯,賈里德·戴,山姆·狄龍,邁克爾·維拉爾

 在美國小鎮一家超市的付款通道中,一個黑人對一個10歲白人小孩(JacksonRobert Scott飾)微笑,不曾想,這個善意的舉動受到誤解,引發了幫派之間的對抗,并以驚人的結局收尾。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

夢鄉2019

芬恩·科爾,瑪格特·羅比,崔維斯·費米爾,凱瑞·康頓,達比·坎普,羅拉·科克,Stephen Dinh,Tim D. Janis,Pab Schwendimann,格雷森·貝里,加內特·赫德蘭,Hans Christopher,安迪·卡斯特利奇,Joe Berryman,保羅·布特,埃布·羅提么,雅各布·布朗,弗蘭西斯·李·麥克凱恩,布魯斯·麥金托什

  這部新片名為《夢鄉》(Dreamland),由曾在圣丹斯電影節摘得評審團特別獎的導演Miles Joris-Peyrafitte執導。故事背景設定在20世紀30年代的美國,經濟蕭條和沙塵暴肆虐著美國的普通百姓,一個15歲的男孩為了高額的賞金開始漫漫追捕路,他的目標正是瑪歌特·羅比飾演的女劫匪。

正義救贖

高駿,張敏

莉莉聯合男友二毛假綁架騙父王總200萬,同伙實為遭她當年陷害的前男友大頭,其目的是報復。交易前夕三方因各懷鬼胎爭斗,王總趕到救下莉莉,參與假綁架者皆因貪欲將面臨法律制裁,警示莫因欲望犯錯。