故事發生在美國西部大開發時期，燕西（理查德·迪克斯 Richard Dix 飾）帶著妻子莎布拉（艾琳·鄧恩 Irene Dunne 飾）千里昭昭來到了廣袤而又荒蕪的俄克納馬拉，心里懷揣著遠大的理想，希望能夠在這里做出一番建樹。俄克納馬拉的生活環境十分艱苦和險峻，然而，夫妻兩人同心協力，慢慢改善和建立著他們的家園。在日子漸漸穩定的過程中，在當地生活的牧場主們感到他們的利益受到了侵犯，他們常常會找燕西的麻煩，卻又被燕西用智慧巧妙的化解。燕西十分同情在當地生活的印第安土著，與此同時，嫉惡如仇的燕西亦對壓迫和剝削原住民的資本家們充滿了仇恨，隨著時間的推移，雙方的矛盾漸漸尖銳起來。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　日本著名胸圍公司的香港區總裁Samantha（劉嘉玲 飾）破例聘請了Johnny（劉青云 飾）和Wayne（古天樂 飾）兩名男設計師。他們的上司高級設計師Lena（梁詠琪 飾）覺得他們根本無法勝任這份工作，因此常常刁難他們。公司要求他們設計出一款“絕世好Bra”，可是多次失敗。　　在工作的過程中，Johnny和Wayne分別與Smantha和Lena產生了感情，最后他們也在各自女友的幫忙下，才最終把“絕世好Bra”設計成功。

　　在圍剿斯克魯人的戰斗中，克里人星際戰隊成員弗斯（布麗·拉爾森 Brie Larson 飾）不幸成為對方的俘虜。斯克魯人嘗試探究弗斯的記憶，最終發現連弗斯本人都不知道的一段往事，進而也得知名為溫迪?勞森博士的女子掌握著他們急于得到的時空引擎。趁對方不備，擁有強大超能力的弗斯擺脫束縛，逃到了代號為C-53的地球，而這里也正是她那段失落的記憶的發生地。未過多久，神盾局探員弗瑞特工（塞繆爾·杰克遜 Samuel L. Jackson 飾）找上門來，而緊隨其后的斯克魯人更是引發了地球人前所未見的大騷動。　　在這一過程中，弗瑞特工意識到事態的嚴重性，并且幫助弗斯認清本來的自己。倔強的弗斯，終于找到了真正需要保護的東西……