劇情縱覽
香港便衣警探陳杰與同事去泰國度假,結識一泰國少女珠瑪,珠乃巫師之女,愛慕陳杰英竣勇武,求得乃父乃古所捕困之魔神像之助,取秘孳給陳杰服用后,情性大變與珠瑪結下一夕緣。 杰返香港后,珠瑪思念不已,竟盜取神魔像,追蹤來港找尋陳杰,想重續情絲,陳杰因妻子李蕙懷盈待產,且對珠瑪并無愛意乃加以拒絕。 珠瑪無奈,但又不想放棄,柔求救于魔神,魔神教以施法遙控,使陳杰變性,李欲見狀,乃求修道居士崔空明設施解,將魔法解...
香港便衣警探陳杰與同事去泰國度假,結識一泰國少女珠瑪,珠乃巫師之女,愛慕陳杰英竣勇武,求得乃父乃古所捕困之魔神像之助,取秘孳給陳杰服用后,情性大變與珠瑪結下一夕緣。 杰返香港后,珠瑪思念不已,竟盜取神魔像,追蹤來港找尋陳杰,想重續情絲,陳杰因妻子李蕙懷盈待產,且對珠瑪并無愛意乃加以拒絕。 珠瑪無奈,但又不想放棄,柔求救于魔神,魔神教以施法遙控,使陳杰變性,李欲見狀,乃求修道居士崔空明設施解,將魔法解...
一個神秘的廢棄工廠開始第一天的拍攝。當載著女主角朱莎、副導演、《電影最前沿》節目主持人一夢等人的大巴車到達工廠時,拍攝場地卻空無一人,陸主任讓大家在工廠內待命,自己則出去給大家買宵夜,等待期間,副導演卻離奇死在了浴室 里... 為了查清楚真相,一夢提議大家再去浴室看一看,而錄音師多寶、女主角朱莎、司機女兒甜甜則留在服化間,從浴室回來 之后,只見多寶,甜甜和朱莎卻失蹤了。 陸導遲遲未歸、副導演的死,甜甜、朱莎的神秘失蹤,帶 出了三年前在工廠拍攝時的靈異事件。一連串離奇的事情依然繼續.....然而真相卻讓大家出乎意料。
這部電影將寫實與科幻合而為一。一種傳染性性疾病STBO正在國內蔓延,它通過沒有感情的性活動傳播。 小偷馬克和漢斯欠一個美國女人一筆錢,她限他們兩個星期還。他們打算去偷一種專治類似艾滋病的藥劑,然后高價轉賣。于是他們雇來了亞力克斯,一個正在跟16歲女友麗莎分手的青年。但在計劃實施之前,他迷戀上了馬克的情婦安娜。麗莎卻并沒有死心,在他們動手那天她來到了巴黎,使得事情更加復雜化…… 當然,這是個悲劇。Love that burns fast but lasts forever. 這是導演Leos Carax繼《男孩遇見女孩》后的第二部作品,繼續他對青春和孤獨等題材的關注,也就是在此片的五年之后誕生了影史經典之作——《新橋戀人》。
在這部感人的喜劇中,一個脾氣暴躁的男人在圣誕節被詛咒,一年后醒來,卻發現他注定要一遍又一遍地重溫平安夜。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.