一場車禍奪走了萊利的生命，她近乎完美的生活突然中斷，留下一個沒有母親的家庭。隨著調(diào)查的開始，萊利的妹妹凱莉發(fā)現(xiàn)這場車禍可能不是她妹妹死亡的真正原因，案件發(fā)生了奇怪的轉(zhuǎn)折。

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　　擔(dān)任臨時教師的君島穗香(澀谷凪咲)，目擊了一個女學(xué)生從屋頂跳下的瞬間。當(dāng)她在暑假補習(xí)班上課時，又注意到有個不應(yīng)該存在的學(xué)生。不久后，穗香與補習(xí)班的三浦瞳(早瀨憩)、前川武(山時聰真)等學(xué)生們，得知了與那個女學(xué)生有關(guān)的令人震驚的事實。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.