在線播放
劇情簡(jiǎn)介
一對(duì)夫妻把各自的日記鎖在抽屜里,但都清晰對(duì)方在偷看。沒關(guān)系,祂們以此為借口,隱秘的私人xing噯的大比拼。影片結(jié)尾處,有一個(gè)角色說道:;硪就是用出軌來體現(xiàn)硪的真誠(chéng)。 rdquo;意思是,她通過跟別人做噯,來過癮自己的婚姻生活,因?yàn)樗煞蜃匀挥型蹈Q欲望。
同類好片
玩具熊的五夜后宮:紫色的淚
Bomber Hurley Smith正直的候選人2
羅美蘭,金武烈,尹敬浩,徐現(xiàn)宇,樸真珠,尹斗俊德州棉花
喬治·哈迪,杰森·道格拉斯,蒂凡妮·謝皮斯,吉因·瓊斯,盧·坦普爾,Torrence Davis,Terri Merritt Bennett,賈德·羅德曼,朱麗葉塔·丹妮埃拉全面營(yíng)救
魯克·高斯,羅伯特·戴維,戴維·費(fèi)爾南德斯,芭芭拉·帕多,帕特里夏·德·萊昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura Martin180度
德斯蒙德·杜布,法納·莫科納,Prince Grootboom,Warren Masemola,邦基爾·曼賽人證1977
岡田茉莉子,松田優(yōu)作,鼻肇,喬山中,巖城滉一,三船敏郎,鶴田浩二,竹下景子,伴淳三郎,高澤順子,范文雀,夏八木勛,長(zhǎng)門裕之,珍妮八田,坂口良子,大瀧秀治,佐藤蛾次郎,北林谷榮,西川峰子,鈴木瑞穗,峰岸徹,地井武男,和田浩治,深作欣二人氣佳作
首都消失
渡瀨恒彥,名取裕子,山下真司,江角英明,大瀧秀治,石橋蓮司,石野陽(yáng)子,加藤治子,岸部一德,三木紀(jì)平,夏八木勛,龍雷太,相馬剛?cè)?丹波哲郎,津村鷹志,渡邊文雄,財(cái)津一郎,海老名美どり為了所有的女孩
埃里卡·韋塞爾斯,Hlubi Mboya,Leshego Molokwane,Nomvelo Makhanya,德翁·洛茨,莫蘇西·麥格諾,Brendon Daniels,J.P. du Plessis,Lizz Meiring,Rafiq Jajbhay,Masasa Mbangeni,本·克魯格,Tamarin du Toit,Marcus Mabusela,Cindy Swanepoel,馬特·斯特恩惡魔的破壞 前篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,諏訪部順一,津田健次郎哪吒鬧海
梁正暉,邱岳峰,畢克,富潤(rùn)生,尚華,于鼎導(dǎo)演精選
咒書遠(yuǎn)古魔
Two friends work as cleaners whose jobs are to clean homes and places where people have died or dead bodies are found. One day, they are tasked with cleaning a house where there were three dead bodies inside. Their job is to clean the corpses that have rotted. When they arrived there, they found that there are strange things happening and then they discover a strange book.
安吉的治療
十年前,一位在派對(duì)上被強(qiáng)奸的年輕女子,飽受創(chuàng)傷,抓住難得的機(jī)會(huì),向施暴者反擊。然而,復(fù)仇的甜蜜滋味,卻讓她變成了多年來一直恐懼的那個(gè)怪物。這段驚險(xiǎn)刺激的旅程將讓你緊張不安,模糊是非對(duì)錯(cuò)的界限。隨著權(quán)力格局的不斷變化,安吉的治愈之路也引出了一個(gè)問題:“為了擺脫創(chuàng)傷,你愿意付出多少?”
皆為好事
Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.