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劇情提要
改編自屢獲殊榮的傳奇電視劇,是一部史詩級電影版續篇。在這部影片中,一個可怕的連環殺手在倫敦肆意橫行,而才華橫溢卻聲名狼藉的偵探約翰·路德(伊德里斯·艾爾巴飾)則被關在監獄里。由于未能抓住此刻對他落井下石的網絡精神病患者,路德決定不惜一切代價越獄完成這項工作。這部電影的主演還包括辛西婭·艾莉佛、安迪·瑟金斯和德爾莫特·克勞利,德爾莫特·克勞利將再次飾演馬丁·申克。
暗夜精選
反叛行動
麗茲·格林尼,梅根·布恩,思凱·卡茨,菲利普·文切斯特,阿麗克斯·維拉雷特,Ollie Roddy,Kaine Buffonge,Will Pierson,約納斯·阿姆斯特朗,Errol Trotman-Harewood,Orlin Pavlov,Hristo Mitzkov,馬克斯·克勞斯,Charlotte Weston,Alexsandria Ralev,瑪麗安娜·斯塔尼切娃,內森·庫珀,伊麗莎白·吉布森,丹·凱德,Anaya Yalamov,William Smalley,Todor Todoro富貴再逼人
沈殿霞,董驃來聊聊須緒美吧
長澤雅美,西島秀俊,松坂桃李,瀨戶康史,遠藤憲一,小林隆,坂東彌十郎,戶塚純貴,阿南健治,梶原善,宮澤艾瑪創圣大天使:一發逆轉篇
寺島拓篤,嘉數由美,小林沙苗,森川智之,石冢運升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹,兵藤真子,杉田智和,齋賀光希,樸璐美,風間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇暗夜鬼抓床
肖娜·麥克唐納,Leah McNamara,羅斯·諾貝爾霧人前傳
邁克爾·羅伯特·布蘭登,邁克爾·穆內,邁克爾·穆內夜逃屋本鋪2
中村雅俊,高木美保,益岡徹,中島陽典,風間杜夫,松居一代,中山忍,余貴美子同系列推薦
不實夢境
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson退伍軍官
亞尼·卡普爾,莫娜·辛格,拉狄卡·馬丹,Aditya Rawal,沙魯巴·舒克拉,Faisal Malik,Amit Jha,Vikram Pratap,Harsh Purwar,Lata Shukla,Esha Shital杰索拉·加尼美·卡美巴 決戰!南海的大怪獸
久保明,小林夕岐子,高橋厚子大地1937
保羅·穆尼,路易絲·賴納,沃爾特·康諾利,蒂莉·洛施,查利· 格雷普韋恩,杰茜·拉爾夫,楊秀,陸錫麒,羅蘭·郭,Suzanna Kim,李清華,Harold Huber,奧拉夫·許滕,William Law,黃柳霜,安必立,Philson Ahn,Chester Gan,Betty Soo Hoo,James B. Leong,Bessie Loo,理查德·洛,Clarence Lung,阿瑟·馬克斯,查爾斯·米德爾頓,Miki Morita,Layne Tom Jr.,甘岱棠,Sammee Tong,I我老婆不是人
梁家輝,關之琳,胡楓,陳雅倫,周文健,梅小惠,鄭丹瑞,黎彼得,張堅庭那家伙
周元,柳海真,李裕英,劉慧英,李俊赫,金英熊幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
月球
2029年,韓國載人飛船“探月號”出發前往月球,即將產生第二個成功登月的國家,任務備受全世界矚目。然而“探月號”不幸遇上太陽黑子爆發所引致的太陽風暴,發生嚴重意外,宇航員黃善宇(都暻秀 飾)成為“探月號”的唯一幸存者。為了營救流浪月球的黃善宇,隱居小白山天文臺的前載人飛船飛行總監金載國(薛景求 飾),加入了救援行動,同時韓國政府亦要求美國太空總署(NASA)的總監尹文英(金喜愛 飾)及月球門戶太空站介入協助,但卻一直遇上重重阻撓。載人飛船的燃料將近耗盡,氧氣亦正在倒數,再加上流星雨撞擊與月震,被孤立在38.4萬公里以外月球上的宇航員黃善宇,個人的一小步也足以令全球人類緊張屏息,到底營救行動會如何發展?