他，天生就跑得快。此外沒有優于他人的地方了，但也覺得只要跑得快就足夠了。得以立足于學校、成為交友的橋梁。這便是，這位少年的一切。而與他相遇的，是為了忘掉痛苦而跑步的少年。他跑得并不快，卻有熱情。被他的熱情所感染，隨后感受到了興奮。可、這卻是“異常”的開端。“100米”，讓一切都變得瘋狂。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　影片講述了上世紀80年代發丘傳人賈凡（戴向宇 飾）利用祖傳秘術智斗摸金校尉吳老大（杜奕衡 飾）守護發丘老祖之墓的熱血故事，表現了邪不壓正的主題思想。

四個背景經歷各不相同的年輕人在北京的一個出租屋里喝酒，但因為想法不一，互相有一些矛盾然后打了一架，警察介入，之后結束。