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鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke基卡2025
瑪儂·克拉維爾,Makita Samba,托馬斯·庫芒,Suzanne Elbaz,Ethelle Gonzalez Lardued,伯納德·布蘭卡恩,Kadija Leclere,安納爾·斯諾克,Thierry Hellin,埃洛迪·巴特爾斯街尾之宅
詹妮弗·勞倫斯,伊麗莎白·蘇,麥克斯·泰瑞奧,吉爾·貝羅斯,Eva Link,諾蘭·杰拉德·馮克,艾莉·麥克唐納犬之力
本尼迪克特·康伯巴奇,克爾斯滕·鄧斯特,柯蒂·斯密特-麥菲,杰西·普萊蒙,托馬辛·麥肯齊,基思·卡拉丹,弗蘭西絲·康羅伊,吉娜維夫·萊蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛維,愛麗絲·恩格勒特,Yvette Reid,斯特芬·勞瓦特,瓦季姆·列多戈羅夫,朱莉·福塞斯,彼得·卡羅爾,艾莉森·布魯斯,大衛·T·林,亞當·比奇,Ramontay McConnell,Max Mata,Ken Radley人蛇大戰2022
李勁峰,蘇濛濛,駱達華神探瓦雷斯：綁票追緝令
里歐·舍曼,加斯帕·帕科農,米·庫基同類推薦
半夜叫你別回頭2
梅瓊,趙翊驍,姜夢茹,沈璐,李世杰,陸煙,張瑩瑩,寒豐,嚴佳茵,武朋新婚的蕭靈兒（陸煙 飾）前往兒時的山間別墅度假。途中，詭異事件接踵而至，雙生女童、深夜歸來的守門人，讓蕭靈兒驚恐不已。次日，蕭靈兒的閨蜜和前男友不請自來，守門人的兒子帶著女友來見家長。更恐怖的是，一個神秘的紅衣女孩如鬼魂般在深山老宅中閃現，勾起了當地流傳已久的鬼娃瑪麗傳說。在這深山隔絕之地，鬼娃使眾人陷入死亡之境。靈異現象頻繁出現，血腥事件不斷發生，等待眾人的是一個埋藏多年的鬼娃復仇傳說。
鬼媾人
王晶,關之琳,陳百祥,夏文汐,曹查理,莫少聰凌兆祥（王晶 飾）和妻子（夏文汐 飾）開開心心地搬進了新置的豪宅，準備享受全新的生活。盡管豪宅里怪象頻出，佛學專家許禪（莫少聰 飾）亦給予了凌兆祥警告，但沉浸在興奮中的凌兆祥并沒有將這一切放在眼里。 妻子懷孕住進了醫院，再度變回“單身漢”的凌兆祥怎么可能放過這次難能可貴的機會？他伙同損友歐公子（陳百祥 飾）和屈臣氏（曹查理 飾）外出狂歡，并且邂逅了美麗女子冰淇（關之琳 飾）。凌兆祥同冰淇一夜溫存，事后，對妻子心懷愧疚的凌兆祥決定斷絕同冰淇的往來，沒想到，不愿意放過他的，不僅僅是冰淇，還有冰淇身后那一干早已化作冤魂厲鬼的家人們。
警察游戲
杰克·約翰遜,小達蒙·韋恩斯,羅伯·里格爾,妮娜·杜波夫,安迪·加西亞,詹姆斯·達西,科甘-邁克爾·凱,喬納森·拉舒沃,湯姆·馬迪羅沙,娜塔莎·賴格羅,麗貝卡·庫恩,約書亞·奧蒙德,布萊恩·歐爾利,杰夫·蔡斯這是一部終極警匪拍檔動作喜劇，除了他們并不是真的警察。當一對窮途末路的好兄弟選擇以警裝參加了一場化妝舞會后，他們成為了街坊鄰居的大人物。這對新崛起的英雄在面對真實世界的歹徒惡棍及游走黑白的貪污警探時，他們拿起假證件整裝備戰。
養鬼吃人7
卡瑞·伍爾 , 保羅·瑞斯 , Simon Kunz《倫敦地下城市》一個女記者被派遣到羅馬尼亞首都布加勒斯特調查一個地下自殺邪教“死魂靈”。她很快就陷入了他們的黑暗世界，無法找到回頭路，從而被迫加入他們，迎接一項極為恐怖的事情... ...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.