性愛不眠夜2
英文名:Love Insomnia Night 2,自從我將來有了一個(gè)偉大的天才的常數(shù)。將工作委托給她很多的現(xiàn)實(shí),但這是理所當(dāng)然的所有傳入的老菜鳥時(shí)只寫到嘴棒的故事問 10 年日益萎縮,一個(gè)兩個(gè)傳入的是這部電影的場(chǎng)景,對(duì)我的要求,大人漫畫。為一部活的大人電影場(chǎng)景開始接受她實(shí)際上要嘗試大量的研究和實(shí)際測(cè)試態(tài)度獨(dú)自的情色電影的現(xiàn)實(shí).可以很輕易地股份最喜歡的年輕男子。但這已是老生常談到發(fā)布服務(wù)器,和傷口弄批評(píng)的驕傲我有未來,但出版商規(guī)劃一個(gè)驚喜請(qǐng)擠壓孔。
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靈異醫(yī)院
Sara Foster,Cary Elwes,Michael Biehn,Gabriel Mann,Colleen Camp,Winter Ave Zoli,Susie Amy,Katherine Shanklin恐怖買家
勞倫·拉維拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi還魂之迷失曼谷
范逸臣,李昕蕓,李媛,雪村獵殺游戲
格倫·鮑威爾,喬什·布洛林,邁克爾·塞拉,科爾曼·多明戈,凱蒂·M·奧布萊恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大衛(wèi)·札亞斯,杰米·勞森,艾米莉亞·瓊斯,卡爾·格洛斯曼,丹尼爾·埃茲拉,李·查爾斯,桑德拉·迪金森,喬治·卡羅爾,索菲·西蒙特,奧妮克·阿德莉,喬伊·安沙,布蘭登·伯克翠湖
李振平,王娟,李紅梅,劉蕾,李珂而,毛珍禧,祖尚炳皓 ,付斌,張會(huì)苓,張英偉末日逃生2:遷移
杰拉德·巴特勒,莫蕾娜·巴卡琳,羅曼·格里芬·戴維斯,蘇菲·湯普森,艾波·羅絲·雷瓦,威廉·阿巴迪,托米·厄爾·詹金斯,斯榮德·福斯·奧瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亞歷山大,西塞爾·西姆·科赫,吉安尼·卡爾切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亞·珀金斯,貢納·貝西·比昂森,Gina Gangar同類推薦
禪武門
張玲,鄭少秋,田豐,王俠《撣武門》是1983年上映的臺(tái)灣電影,由張鵬翼導(dǎo)演。張玲,鄭少秋,王俠等人主演?!稉畚溟T》講述某朝皇帝在正月十五日比武大賽之前, 得知刑部大臣陸人敵欲乘機(jī)謀反, 乃飛鷹傳書其派駐在東, 南, 西, 北四郡的諸侯回朝護(hù)駕, 然四人均於回朝途中為刺客所暗殺, 南郡主之女孤獨(dú)冷雁於其父被刺後始得報(bào), 火速趕回想為父報(bào)仇· 一日孤獨(dú)冷雁巧遇鬼紅娘, 才知兩人同出一個(gè)師門, 尤其孤獨(dú)冷雁學(xué)得高深之禪功, 身手快捷, 眼力極強(qiáng), 卻可惜他·.....
午夜之花
北川景子,森田望智,佐久間大介,渋谷龍?zhí)?澀川清彥,田中麗奈,光石研,池內(nèi)博之一個(gè)生活在社會(huì)邊緣的母親永島夏希(北川景子 飾),白天在便利店打工,晚上在小酒館兼職,努力維持家庭的溫飽,但為了實(shí)現(xiàn)兩個(gè)孩子的夢(mèng)想,她不得已走上了成為毒販的道路。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
替補(bǔ)悍警
鮑勃·奧登科克,琳娜·海蒂,布倫丹·弗萊徹,亨利·溫克勒,布萊恩·川上,莎莫·H·豪威爾,德里克·巴恩斯,杰西卡·麥克勞德,Dan De Jaeger,Reena Jolly,勞倫·科克倫,大衛(wèi)·勞倫斯·布朗,卡森·納特拉斯,彼得·新田,辻將太,辛妮·比斯頓,比利·麥克萊倫,瑞恩·艾倫,艾倫·默克,Takahiro Inoue故事發(fā)生在一個(gè)名為“諾莫”的偏遠(yuǎn)小鎮(zhèn),這里看似風(fēng)平浪靜,實(shí)則暗流涌動(dòng)。主角尤利西斯在上一任警長(zhǎng)離奇意外身亡后,被委任為臨時(shí)警長(zhǎng)。當(dāng)鎮(zhèn)上的銀行被一對(duì)來自外地的夫婦搶劫時(shí),尤利西斯趕到現(xiàn)場(chǎng),卻發(fā)現(xiàn)這座小鎮(zhèn)平靜的表象下隱藏著更為險(xiǎn)惡的深層秘密——從酒保到神父,鎮(zhèn)上的每個(gè)人都是秘密的參與者。而一直試圖逃避過去心魔的尤利西斯,此刻必須揭開這場(chǎng)犯罪陰謀的全部真相。
康普茶
Zoe Agapinan,Charin Alvarez,Rachel Benson,Zachary Bernat,Paige Bourne這是一種名叫康普茶的飲料,它可以改變?nèi)说乃季S,使員工工作到死。