劇情縱覽
趙均與娟娟是一對恩愛夫妻,而暗戀娟娟的浩明卻以望遠鏡偷窺意y-.某夜,浩明潛入娟娟房中被趙均發現,趙均在毆打中受傷導致性能力喪失,無法滿足娟娟,遂決定赴美就醫,娟娟再度與浩明相遇,當晚,兩人積壓已久的欲火便在庭院中釋放開來,之後,兩人便沉浸在愛的歡L中暫無內容.暫無內容好景不長,趙均從美國返回,欲重拾夫妻生活,浩明不肯分手,司機小丁并以兩人私情向娟娟勒索要錢,甚至以ML茍合為交易的籌碼,人和財都要,一連串悲劇接踵而至,一場愛與欲的糾葛,一步步走向毀滅悲劇........
趙均與娟娟是一對恩愛夫妻,而暗戀娟娟的浩明卻以望遠鏡偷窺意y-.某夜,浩明潛入娟娟房中被趙均發現,趙均在毆打中受傷導致性能力喪失,無法滿足娟娟,遂決定赴美就醫,娟娟再度與浩明相遇,當晚,兩人積壓已久的欲火便在庭院中釋放開來,之後,兩人便沉浸在愛的歡L中暫無內容.暫無內容好景不長,趙均從美國返回,欲重拾夫妻生活,浩明不肯分手,司機小丁并以兩人私情向娟娟勒索要錢,甚至以ML茍合為交易的籌碼,人和財都要,一連串悲劇接踵而至,一場愛與欲的糾葛,一步步走向毀滅悲劇........
夜深人靜,荒郊野嶺。幾名青年男女去永寧縣某廢棄工廠探險,并全程微博直播。他們為自己的無知和膽大妄為付出巨大代價,最終一死一瘋,另外兩人昏迷不醒,還有一人下落不明。美麗女記者蕭薇(鄧紫衣 飾)的妹妹霈霈及其朋友子妍正是這場意外的受害者,從醫生口中得知,妹妹她們出事前一定受到常人難以想象的驚嚇。蕭薇的搭檔阿康(唐禹哲 飾)調查后發現,霈霈她們前幾日都曾被某神秘微博帳戶@,之后在她們微博中便各自出現一個倒計時的畫面,而業已歸零的正是當前的死者子妍?! 〗^不相信鬼神傳說的蕭薇,決定親自涉足永寧工廠一探究竟。伴隨蕭薇和阿康的追查,恐怖真相慢慢浮出水面……
故事發生在美國西部大開發時期,燕西(理查德·迪克斯 Richard Dix 飾)帶著妻子莎布拉(艾琳·鄧恩 Irene Dunne 飾)千里昭昭來到了廣袤而又荒蕪的俄克納馬拉,心里懷揣著遠大的理想,希望能夠在這里做出一番建樹。俄克納馬拉的生活環境十分艱苦和險峻,然而,夫妻兩人同心協力,慢慢改善和建立著他們的家園。在日子漸漸穩定的過程中,在當地生活的牧場主們感到他們的利益受到了侵犯,他們常常會找燕西的麻煩,卻又被燕西用智慧巧妙的化解。燕西十分同情在當地生活的印第安土著,與此同時,嫉惡如仇的燕西亦對壓迫和剝削原住民的資本家們充滿了仇恨,隨著時間的推移,雙方的矛盾漸漸尖銳起來。
The Anti-Monitor (the Monitor's evil counterpart) is released in the DC Multiverse and begins to destroy the different Earths huo87.com that compose it. The Monitor attempts to recruit heroes from across the Multiverse, but is murdered.
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster