讓我聽聽你的聲音

5.0 播放:71萬 更新:2026-04-22

小遙(渡邊萬美 飾)是名超人氣模特兒,因工作導(dǎo)致她過度節(jié)食,某天在工作現(xiàn)場(chǎng)昏倒了。為了恢復(fù)體力,小遙來到一家肉鋪想買牛排食補(bǔ),沒想到她卻聽得到肉鋪老板安春的內(nèi)心話,老板在贊嘆她的好身材,這讓小遙嚇得奪門而出。她把這件事告訴經(jīng)紀(jì)公司老板、同時(shí)也是男友的俊介,但俊介完全不相信她的話,甚至叫她去看醫(yī)生。   后來,俊介對(duì)小遙求婚,但模特兒界新人輩出,小遙擔(dān)心自己的地位不保,完全不考慮結(jié)婚。另一方面,安春從小就擁有超能力,但身邊的人完全不相信他。他明知太太在外面有小王,卻也只能視而不見,身為入贅女婿的他只能守著太太娘家的肉鋪。后來,小遙和安春因故開始借由心電感應(yīng)互相溝通,分享彼此的苦惱,兩人漸漸地熟悉、了解,進(jìn)而跨越了那條防線  

播放通道

詳細(xì)簡(jiǎn)介

小遙(渡邊萬美 飾)是名超人氣模特兒,因工作導(dǎo)致她過度節(jié)食,某天在工作現(xiàn)場(chǎng)昏倒了。為了恢復(fù)體力,小遙來到一家肉鋪想買牛排食補(bǔ),沒想到她卻聽得到肉鋪老板安春的內(nèi)心話,老板在贊嘆她的好身材,這讓小遙嚇得奪門而出。她把這件事告訴經(jīng)紀(jì)公司老板、同時(shí)也是男友的俊介,但俊介完全不相信她的話,甚至叫她去看醫(yī)生。   后來,俊介對(duì)小遙求婚,但模特兒界新人輩出,小遙擔(dān)心自己的地位不保,完全不考慮結(jié)婚。另一方面,安春從小就擁有超能力,但身邊的人完全不相信他。他明知太太在外面有小王,卻也只能視而不見,身為入贅女婿的他只能守著太太娘家的肉鋪。后來,小遙和安春因故開始借由心電感應(yīng)互相溝通,分享彼此的苦惱,兩人漸漸地熟悉、了解,進(jìn)而跨越了那條防線  

同類推薦

開心三響炮

曾志偉,陳百祥,陳友,古嘉露

  啄木鳥(曾志偉 飾)和甘油條(陳友 飾)是同事兼好友,兩人相識(shí)多年,默契十足,感情十分要好。某日,在執(zhí)行追捕黑幫大佬阿成(沈微 飾)的過程中,兩人結(jié)識(shí)了警花吉吉(古嘉露 飾),三人結(jié)成搭檔。于是,在啄木鳥和甘油條之間,一場(chǎng)異常激烈的撩妹比賽拉開了序幕。雖然啄木鳥能說會(huì)道十分神氣,但甘油條似乎更加喜歡內(nèi)向靦腆的甘油條。  阿成綁架了啄木鳥和甘油條的好友花利文(陳百祥 飾),想要以他的性命威脅兩人,換取自由。啄木鳥和甘油條自然為了救出好友而火速前往現(xiàn)場(chǎng),面對(duì)殘暴的阿成,兩人能夠順利的救出花利文嗎?

花心夢(mèng)里人

陳勛奇,曾志偉,張敏

  肥招(曾志偉 飾)和凡秋(陳勛奇 飾)是一對(duì)從小一起長(zhǎng)大的好朋友,但兩人的性格卻大不相同,肥招老實(shí)木訥,凡秋則浮華招搖。因投資不善,凡秋被高利貸逼得走投無路,幸虧有好友相助,才得以在肥招家中暫時(shí)棲身。此前肥招家里住著一個(gè)離家出走的叛逆少女阿君(陳淑蘭 飾),凡秋隨她出席某酒會(huì),認(rèn)識(shí)了美貌和財(cái)富并重的美女保蓮(楊寶玲 飾)。以此為契機(jī),他的事業(yè)初見起色,隨后更和文靜賢淑的女友莎莉(張敏 飾)分手,與保蓮墜入愛河。  另一方面,害羞靦腆的肥招也開始喜歡上莎莉,在阿君的參謀下,他向這個(gè)失意的女子展開了感情攻勢(shì)……

母親往事

米洛·馬查多·格拉納,萊拉·貝蒂,約瑟芬·約比,喬納森·科恩,安娜·勒尼,讓娜·巴利巴爾,雪兒薇·瓦丹

Paris, 1963. The youngest of a family of six, Roland, is a boy like no other. According to the doctors, he'll never walk, but his stubborn mother, Esther, simply refuses to accept this.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

沖動(dòng)

芭兒·帕麗,亞歷克西斯·克納普,皮爾斯·布魯斯南,阿什麗·格林尼,賈斯汀·查特文,丹尼·馬斯特森,艾莉森·洛曼,克里斯·吉爾,詹姆斯·德貝羅,尼克·圖恩,歐嘉·梅雷迪斯

  該片講述四位朋友共同前往一座島嶼度假,期間他們接觸一種名為“Urge”的藥物,而當(dāng)四人吸食之后,他們將逐漸走向欲望的深淵。