比基尼模特學(xué)院
當(dāng) T.J.和石磊,兩個(gè)加州二十-東西最好的哥們,失去他們的女朋友,他們開始本土的比基尼造型學(xué)院賺錢和滿足新的女孩子。從 T.J.的叔叔西摩 (Gary 里布) 的一點(diǎn)幫助,那些家伙開始招聘的漂亮女孩,直到對(duì)手建模學(xué)校由他們老的小學(xué)敵人試圖關(guān)閉它們。
影片推薦
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli當(dāng)邪惡潛伏時(shí)
埃澤奎爾·羅德里格斯,Demián Salomón,路易斯·齊姆博夫斯基,Marcelo Michinaux,Federico Liss,Silvina Sabater,Emilio Vodanovich,Paula Rubinsztein,Virginia Garófalo,Desirée Salgueiro斷魂小丑
珍娜·凱內(nèi)爾,薩曼莎·斯卡菲迪,戴維·霍華德·桑頓,凱瑟琳·科科蘭,Pooya Mohseni,Matt McAllister,Michael Leavy,凱蒂·馬奎爾,吉諾·卡法雷利,Cory DuVal,Erick Zamora,Clifton Dunn,Xiomi Frans-Cuber,Julie Asriyan,瑪格麗特·里德,Kamal Ahmed大亂斗之少年覺醒
趙奕欽,葉子淇,趙蘊(yùn)卓,陳昊明,趙浩杰上身
田牧童,劉述,郭星顯,黃伊伊,周炎離奇劇院
烏多·基爾,維吉尼亞·紐科姆,卡特里娜 馬科爾,艾米莉婭·戈薩姆,維多利亞·莫蕾特,麗莎·貝爾,安德烈·赫尼克,蘇珊·安貝赫,哈維·弗里德曼,戴比·露珍,湯姆·薩維尼,卡內(nèi)赫迪奧·霍恩,琳恩·勞里,杰西卡·瑞默斯,艾麗莎·道林,杰夫·迪倫·格雷厄姆,達(dá)蒙·帕卡德,惠特尼·穆爾,Alex Ivanovici,Amanda Marquardt,Rachelle Glait,Erin Marie Hogan,Jeremy Gladen,Lindsay Goranson,James Gill同類精選
勿擾警告
歐文·馬肯,安娜·斯科萊姆,Tereza Srbova,Anthony Jabre圍困3
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚(yáng)諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir異羽之鳥
賈亞士里,Mahadev Hadapad,Rekha Kudligi爵士之王
保羅·惠特曼,約翰·博爾斯,勞拉·拉普蘭特,珍妮特·洛夫,格倫·特萊昂,William Kent,斯利姆·薩默維爾,The Rhythm Boys,凱瑟琳·克勞福德,卡拉·萊姆勒,Stanley Smith,George Chiles,Jack White,Frank Leslie,沃爾特·布倫南,Churchill Ross,約翰·阿利奇,內(nèi)爾·歐黛,Harry Barris,Bobbe Brox,Kathlyn Brox,Lorraine Brox,André Cheron,平·克勞斯貝,杰克·富爾頓天才游戲
彭昱暢,丁禹兮,李蔓瑄,鄧恩熙,侯雯元特工迷陣
杰森·莫瑪,戴夫·巴蒂斯塔,莫蕾娜·巴卡琳,雅各布·貝塔隆,特穆拉·莫里森,克萊斯·邦,弗蘭基·亞當(dāng)斯,石原崇雅,斯蒂芬·魯特,大衛(wèi)·赫克里·肯努·貝爾,Mark R Black,Marris Collins,馬卡納·大衛(wèi),邁克·愛德華,蘿伊瑪塔·福克斯,瑪雅·凱洛哈,Cyndi Mayo-Akeo,Cyndi Mayo,斯蒂芬·歐陽,莉迪亞·佩克漢影視排行
泥娃娃
楊祐寧,蔡思韻,張軒睿,周采詩,郭雪芙,陳為民,李冠毅,高山峰,黃建群泥娃娃,泥娃娃,一個(gè)泥娃娃?? 童謠的背後,隱藏著神秘驚悚的故事。在遊戲公司工作的旭川(楊祐寧 飾),為開發(fā)一項(xiàng)新的恐怖VR遊戲,意外將一尊來自兇宅現(xiàn)場(chǎng)的殘破泥娃娃帶回家,沒想到懷有身孕、身為文物修護(hù)師的妻子慕華(蔡思韻 飾)對(duì)其產(chǎn)生異常執(zhí)念,不斷進(jìn)行修復(fù)。隨著家中怪事頻傳,慕華狀態(tài)也越來越虛弱,旭川無計(jì)可施,輾轉(zhuǎn)求助通靈驅(qū)魔人阿生(張軒睿 飾),而泥娃娃背後深埋的駭人祕(mì)密,也隨之浮出水面??
探魔導(dǎo)師
洪紫琳,孔舒航,慕巖,金尤美,趙干羽,劉蔚森,楊悅心,高杰,任嬌,周婷,安德烈·拉澤夫,麥小龍,余浩瑞,劉光帥,王星凱,王小曼,李小龍,金韜,何然,Dima,那朵,于洛熙,趙英龍,萌寶寶,雪千琪琪,周末,Kevin,勃小龍,唐亦靜,韓欣茹,Kisa,朱睿,師軍紅,王銳,陸鑫《探魔導(dǎo)師》將背景設(shè)定在一個(gè)由十大財(cái)團(tuán)控制的架空歷史下的摩登市。洪冰瑤飾演的是個(gè)性別模糊能穿梭時(shí)空的魔導(dǎo)師T,因被迫卷入組織權(quán)利斗爭(zhēng),成為組織的犧牲品。T協(xié)助警察破案來實(shí)現(xiàn)自己的人生價(jià)值。在調(diào)查“人類失蹤案”的過程中,T發(fā)現(xiàn)人類失蹤與畸形科技“潘多拉”有關(guān),該科技利用人類原罪使人類互相欺詐謀殺,試圖讓整個(gè)摩登市陷入混亂,隨著線索一步步逼近,T漸漸意識(shí)到社會(huì)的種種混亂由十大財(cái)團(tuán)操縱,一切的根源似乎直指給人類帶來巨大益處的人工智能,一場(chǎng)人類與人工智能的生存爭(zhēng)奪戰(zhàn)由此拉開。
運(yùn)鈔大劫案
吳樾,包貝爾,伍允龍,元彪,安志杰影片講述了一場(chǎng)震驚全國的特大運(yùn)鈔車搶劫案發(fā)生后,嫌疑人小寶在無現(xiàn)場(chǎng)犯罪證明情況下金蟬脫殼,然而犯罪的種子已然在心中生根發(fā)芽,伴隨著時(shí)間野蠻生長,終將在警方的明察秋毫中爆裂迸發(fā)……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.