血珠

★ 8.4 播放：71萬 更新：2026-04-22

日本導演高橋伴明執導、奧田瑛二主演的新片《紅玉》正式入圍即將于2015年8月27日-9月7日在加拿大召開的第39屆蒙特利爾國際電影節;世界電影關注單元 。 導演高橋與奧田是同齡人，該片描繪了中年男人面臨;衰老與;性 的現實問題，為了追求更完美的人生而為之努力的故事。奧田飾演身兼大學教師與電影導演雙重身份的主人公時田修次。除了奧田以外，在京都造形藝術大學學習的新生代演員們，以及柄本佑、高橋惠子等實力派影星都將聯袂出演。 　　

在線播放

劇情簡介

日本導演高橋伴明執導、奧田瑛二主演的新片《紅玉》正式入圍即將于2015年8月27日-9月7日在加拿大召開的第39屆蒙特利爾國際電影節;世界電影關注單元 。 導演高橋與奧田是同齡人，該片描繪了中年男人面臨;衰老與;性 的現實問題，為了追求更完美的人生而為之努力的故事。奧田飾演身兼大學教師與電影導演雙重身份的主人公時田修次。除了奧田以外，在京都造形藝術大學學習的新生代演員們，以及柄本佑、高橋惠子等實力派影星都將聯袂出演。 　　

導演精選

連環殺手芬斯特

　　A journalist who writes about a notorious serial killer, Finster, leaves the city for a more peaceful life but soon learns violence has no boundaries.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

旁觀者2025

離家十六年的陳家輝（陳坤 飾）在得知父親陳為民（王勁松 飾）病危后，重返故鄉。但父親未留下只言片語便匆匆離世。葬禮之后，陳家輝與哥哥陳家興（王硯輝 飾）、姐姐陳家媛（劉敏濤 飾）在整理父親遺物時，逐漸察覺父親身上似乎隱藏著許多不為人知的秘密。帶著困惑與心結，陳家輝開始探尋父親生前的生活軌跡，試圖拼湊出父親真實的模樣。在這個過程中，一段埋藏了16年的家庭秘密逐漸被揭開，而這個秘密的核心，正是家輝與父親之間一生都未能解開的那個結。