比弗頓：約見海貍

? 3.4 播放：38萬 2026-04-22
主演：未知

Camp暫無內容Beaverton:暫無內容Meet暫無內容the暫無內容Beavers暫無內容is暫無內容a暫無內容documentary暫無內容film暫無內容by暫無內容Ana暫無內容Grillo暫無內容and暫無內容Beth暫無內容Nelsen,暫無內容aka暫無內容Ana暫無內容Mission暫無內容and暫無內容Agent暫無內容Nelsen.暫無內容Camp暫無內容Beaverton暫無內容is暫無內容the暫無內容Home暫無內容for暫無內容Wayward暫無內容Girls,暫無內容the暫無內容only暫無內容queer,暫無內容all暫無內容women,暫無內容trans-inclusive,暫無內容sex暫無內容positive暫無內容theme暫無內容camp暫無內容set暫無內容within暫無內容Burning暫無內容Man,暫無內容an暫無內容8-day暫無內容experimental暫無內容art暫無內容festival暫無內容that暫無內容encourages暫無內容radical暫無內容self暫無內容expression暫無內容found暫無內容deep暫無內容within暫無內容the暫無內容Nevada暫無內容desert.暫無內容The暫無內容Beaver...

在線觀看

? 播放 比弗頓：約見海貍

劇情提要

Camp暫無內容Beaverton:暫無內容Meet暫無內容the暫無內容Beavers暫無內容is暫無內容a暫無內容documentary暫無內容film暫無內容by暫無內容Ana暫無內容Grillo暫無內容and暫無內容Beth暫無內容Nelsen,暫無內容aka暫無內容Ana暫無內容Mission暫無內容and暫無內容Agent暫無內容Nelsen.暫無內容Camp暫無內容Beaverton暫無內容is暫無內容the暫無內容Home暫無內容for暫無內容Wayward暫無內容Girls,暫無內容the暫無內容only暫無內容queer,暫無內容all暫無內容women,暫無內容trans-inclusive,暫無內容sex暫無內容positive暫無內容theme暫無內容camp暫無內容set暫無內容within暫無內容Burning暫無內容Man,暫無內容an暫無內容8-day暫無內容experimental暫無內容art暫無內容festival暫無內容that暫無內容encourages暫無內容radical暫無內容self暫無內容expression暫無內容found暫無內容deep暫無內容within暫無內容the暫無內容Nevada暫無內容desert.暫無內容The暫無內容Beaver...

幕后花絮

手機有鬼

　　安娜在床上醒來，腦袋因為前一夜的狂歡有些昏沉疼痛。她打開手機，發(fā)現(xiàn)新增一款名為“伊麗絲”(IRIS) 的神秘互動APP；它將好姊妹出軌的證據(jù)偷拍下來，還將不雅照、私密影片和訊息散布至臉書，監(jiān)控她的生活，周遭朋友紛紛卷入，陷入恐慌。　　安娜用盡一切辦法，欲將伊麗絲移除，卻引來致命殺機。不甘居于劣勢的她，決定正面迎擊…。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.