劇情簡介
別名:暫無內容Passionate暫無內容【女豬腳喜歡在自己老爸面前過分的調皮】兩個十幾歲的朋友湊到找出多少自己的青春y-蕩可以破壞他們的家庭，為首的一個牙醫和他的精神病妻子。
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正義救贖
高駿,張敏莉莉聯合男友二毛假綁架騙父王總200萬，同伙實為遭她當年陷害的前男友大頭，其目的是報復。交易前夕三方因各懷鬼胎爭斗，王總趕到救下莉莉，參與假綁架者皆因貪欲將面臨法律制裁，警示莫因欲望犯錯。
惡魔在上
丹尼爾·尤因,蒂姆·波考克,Sophie Don,杰西卡·格林,Ben Chisholm,Emily Joy,James Straiton,費利克斯·威廉森,約翰·雷諾茲Two estranged brothers come together and discover old family secrets after inheriting their grandfather's property. As their friends start to go missing, they fear they are being stalked by a creature lurking in the shadows.
血戰沙漠
邁克爾·C·威廉姆斯,喬·胡爾特拉斯,杰夫·普雷韋特,瓦內莎·約翰遜,Chems-Eddine Zinoune,P. David Miller,Jonas Ball,Matthew R. Anderson,Sam Hunter,Kenny Taylor,Qzaibar Allal,Hammou Abaou,Rkia Chkaroll,Ibtihal Iataren,El Hayrani Lekbir2001年11月，阿富汗加茲尼省。一支來自美國的特種部隊小分隊與CIA探員本杰明·凱恩斯（喬納斯·鮑爾 Jonas Ball 飾）在此碰頭，他們要在當地尋找一個名叫莫罕默德?阿班的男人。在線人阿布爾（Chems-Eddine Zinoune 飾）的引導下，他們來到據說莫罕默德藏身的山區。這里流傳著恐怖的傳說，在半個多世紀前英國就曾有一支上萬人的部隊在此地憑空消失。從特種隊員踏入這片陌生領域的那一刻起，恐怖離奇的事件便如影隨形。隊員們接連失蹤，他們仿佛走入一條通往黑暗世界的不歸之路…… 本片榮獲2008年紐約恐怖電影節觀眾獎最佳攝影獎、2008年墨西哥圣塔菲電影節Milagro獎最佳攝影獎。
圣傳
伊倉一壽,速水獎,山口勝平,榊原良子Prophecy says that six warriors will end a brutal tyrant's rule. Swords clash as the battle between good and evil explodes!
噴火女郎
邱淑貞,鄭丹瑞,鄭裕玲,葉德嫻,朱江,黎小田,文雋,黎彼得,程東,陳慧儀,苑瓊丹,李兆基,劉松仁叉燒（鄭丹瑞 飾）是一個不務正業的小青年，整體裝神弄鬼騙錢。一天，叉燒的一個租客——在夜總會當媽媽桑的大B（葉德嫻 飾）的家里來了一個客人，她美麗的外甥女云云（邱淑貞 飾）。大B用盡千方百計將美麗的云云哄到夜總會當舞女，想著從她身上大賺一筆。一個晚上，黑社會老大炮哥到夜 總會消遣時遇到了云云，炮哥垂涎她的美色，找人把云云捉走了。怎知誰也料不到云云這個弱女子竟然擁有超能力——會噴火，關鍵時候她用自己的超能力脫身了。不久叉燒就得知了云云的這個本領，于是，一個壞主意計上心頭……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
界障
艾伯特·伯尼,弗蘭克·莫斯利,考莉·埃爾南德斯康納·馬什與他的狗桑迪過著隱居生活，直到有一天他開始玩一款新的、尖端的電腦游戲——OBEX。當桑迪失蹤后，現實與游戲之間的界限開始模糊，康納不得不踏入OBEX這個奇異的世界，去把她帶回家。