劇情簡介
幸福的新婚生活中的意外事故，不走的是美的球季。暫無內容兩人的新婚家庭榮州走進來，她性感的風格的美來球鐵，疲憊的溫存。那么兩個接近家關系的慷慨的行為盡最后那樣子銀美目擊。英語的那種美，惋惜和冰冷的眼神相交，未知的話。一連串的暴行，結果是我們以前的事件的記憶漸漸復蘇，沖擊性和考慮。
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愛情鳥的自救
庫梅爾·南賈尼,伊薩·雷,安娜·坎普,保羅·斯帕克斯,凱爾·柏海莫,喬·克里斯特,布萊恩·克恩,莫西斯·斯托姆,賈倫·米切爾,T·C·馬特恩,格拉倫·布萊恩特·班克斯,尼古拉斯·帕森斯,安東尼·邁克爾·弗雷德里克,韋米蒂婭·埃拉恩,萊斯利·卡斯泰,Kenneth Kynt Bryan,Catherine Cohen,Kelly Murtagh,Andrene Ward-Hammond一對情侶（伊薩·雷和庫梅爾·南賈尼飾）正在互訴衷腸，結果被無意中卷入了一場謀殺迷局。洗刷罪名的過程極端又滑稽，他們必須挺過這一夜，以保住兩人的戀情和性命。
創圣大天使：一發逆轉篇
寺島拓篤,嘉數由美,小林沙苗,森川智之,石冢運升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹,兵藤真子,杉田智和,齋賀光希,樸璐美,風間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇時長半小時的短片。故事是發生在TV版中途的番外篇，突出兩位女主角的位置，并附帶“歌姬”設定……主題曲延用TV版前半部的OP（但收錄進劇場版時被取消）。
給我你的愛2
塔布,阿賈耶·德烏干,馬達范,妮哈.沙爾瑪,拉庫爾·普雷特·辛格Love faces its toughest test yet as Ashish visits Ayesha's family home. Will the age-gap romance win hearts or stir things up? This Pyaar vs Parivaar clash promises a relatable, riotous ride for every kind of audience.
懸崖絕壁
佩麗冉卡·曹帕拉,卡爾·厄本,特穆拉·莫里森,伊斯梅爾·克魯斯·科爾多瓦,加里·比德爾,薩菲亞·奧克利-格林,大衛·菲爾德,扎克·莫里斯,格雷格·哈頓,薩欽·喬伯,帕卡羅·姆澤貝,喬丹·穆尼,羅尼·詹姆斯·休斯,莎倫·布魯克斯,艾克·楚特,喬恩·奎斯蒂德,吉迪恩·姆澤姆貝,拉斯·加拉格爾,維丹滕·奈杜,內斯特·盧卡斯故事以19世紀的開曼群島為背景，索爾達娜飾演居住在加勒比海地區的埃克塞爾，這是一個非常強勢的女性角色，當她的島嶼被兇殘的海盜入侵時，她過去的秘密將被揭開。
合唱團2025
拉爾夫·費因斯,羅杰·阿拉姆,西蒙·拉塞爾·比爾,阿瑪拉·奧凱雷克,托馬斯·豪斯,艾米莉·費爾恩,雅各布·杜德曼,Taylor Uttley,內森·霍爾,魯本·班布里奇,Ellie Sager1916年，第一次世界大戰在西線激烈進行，約克郡拉姆斯登的合唱協會失去了大部分男性成員，他們都應征入伍了。雄心勃勃的委員會決心繼續前行，決定招募本地的年輕男性來填補隊伍空缺。同時，他們還必須聘請一位新的合唱指揮，最有希望的人選是亨利·格思里博士（拉爾夫·費因斯 飾）——一個意志堅定、毫不妥協、剛從德國音樂生涯歸來的男人。隨著征兵通知陸續送達，全社區的人逐漸意識到，在戰爭摧毀一切的混亂中，最有力的回應就是：一起奏響音樂。
我的珍寶
讓·雷諾,麗姆·柯里奇,卡米爾·查莫,帕斯卡·德莫隆,亞力克西斯·馬沙利克,布魯諾·桑切斯,娜塔麗婭·沃拜克,洛朗·巴圖,讓·雷恩斯帕特里克（讓·雷諾 Jean Reno 飾）是一名藝術品大盜，在偷竊珍貴的小提琴斯特拉迪瓦里的時候，帕特里克遭到了同伴羅曼（）的陷害，不僅顆粒無收還險些喪命。帕特里開隱居了起來，發誓要從羅曼的身上奪回屬于自己的東西。 帕特里克設計將自己的兩個女兒卡羅爾（法米克·詹森 Famke Janssen 飾）和卡洛琳（麗姆·柯里奇 Reem Kherici 飾）召回到了自己的身邊，身為一名父親，他缺失了兩個女孩的童年，如今，帕特里克希望能有補救他們父女關系的機會。剛開始，兩個姑娘對帕特里克特殊的職業和訴求嗤之以鼻，但隨著時間的推移，婦女三人之間的感情漸漸回溫。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.