赤裸裸的滑稽故事

★ 5.1 播放：48萬 更新：2026-04-23
主演：未知

"Getting暫無內(nèi)容Naked:暫無內(nèi)容A暫無內(nèi)容Burlesque暫無內(nèi)容Story"暫無內(nèi)容peels暫無內(nèi)容back暫無內(nèi)容the暫無內(nèi)容curtain暫無內(nèi)容to暫無內(nèi)容reveal暫無內(nèi)容the暫無內(nèi)容sexy暫無內(nèi)容sub-culture暫無內(nèi)容of暫無內(nèi)容the暫無內(nèi)容neo-burlesque暫無內(nèi)容scene暫無內(nèi)容in暫無內(nèi)容New暫無內(nèi)容York暫無內(nèi)容City.暫無內(nèi)容This暫無內(nèi)容verité暫無內(nèi)容documentary

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劇情簡(jiǎn)介

"Getting暫無內(nèi)容Naked:暫無內(nèi)容A暫無內(nèi)容Burlesque暫無內(nèi)容Story"暫無內(nèi)容peels暫無內(nèi)容back暫無內(nèi)容the暫無內(nèi)容curtain暫無內(nèi)容to暫無內(nèi)容reveal暫無內(nèi)容the暫無內(nèi)容sexy暫無內(nèi)容sub-culture暫無內(nèi)容of暫無內(nèi)容the暫無內(nèi)容neo-burlesque暫無內(nèi)容scene暫無內(nèi)容in暫無內(nèi)容New暫無內(nèi)容York暫無內(nèi)容City.暫無內(nèi)容This暫無內(nèi)容verité暫無內(nèi)容documentary

導(dǎo)演精選

探魔導(dǎo)師

　　《探魔導(dǎo)師》將背景設(shè)定在一個(gè)由十大財(cái)團(tuán)控制的架空歷史下的摩登市。洪冰瑤飾演的是個(gè)性別模糊能穿梭時(shí)空的魔導(dǎo)師T，因被迫卷入組織權(quán)利斗爭(zhēng)，成為組織的犧牲品。T協(xié)助警察破案來實(shí)現(xiàn)自己的人生價(jià)值。在調(diào)查“人類失蹤案”的過程中，T發(fā)現(xiàn)人類失蹤與畸形科技“潘多拉”有關(guān)，該科技利用人類原罪使人類互相欺詐謀殺，試圖讓整個(gè)摩登市陷入混亂，隨著線索一步步逼近，T漸漸意識(shí)到社會(huì)的種種混亂由十大財(cái)團(tuán)操縱，一切的根源似乎直指給人類帶來巨大益處的人工智能，一場(chǎng)人類與人工智能的生存爭(zhēng)奪戰(zhàn)由此拉開。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

金童2025

在十年前的拳擊界，張力（張繼聰 飾）是如日中天的「金童」，卻因一場(chǎng)意外失去了自由。十年后，他刑滿出獄，遇上他從未見面的親生兒子方圓。為了得到方圓母親的遺產(chǎn)，需要與方圓一起生活。張力面臨生活困境與情感糾葛，令他的生活再次翻轉(zhuǎn)。在父子間的矛盾與和解中，張力逐漸找到自己的使命，面對(duì)過去在擂臺(tái)上的陰影，決意再次重拾拳擊夢(mèng)想，并努力成為兒子的榜樣...