女演員的情事

? 5.4 播放：88萬 2026-04-26
主演：未知

劇作家大森被委托編寫了以女演員高階麗子為主演的低預算錄像電影的劇本，她的模特既不會演戲也不會唱歌。暫無內容他雖然年輕，但是是著名的編劇，不管是電影劇還是其他什么有趣的作品，現在工作大幅減少，直到寫低預算錄像的劇本為止。暫無內容大森作為資料被委托主的制片人中村看到，想起25年前去世的姐姐、友子。暫無內容友子在大學生的時候被同一所大學的電影研究部的學生團體強奸殺害了。暫無內容大森接觸到了提供資料的自稱是高山的男人，聽著成為職員的他的話，自己也產生了興趣。回過神來，大森竟然寫著強奸、拷問、小蘇打。暫無內容然后，在和高山親近的過程中，發現自己對姐姐·友子有性感興趣，并且發現其興奮與殺害的結果有關，高階麗子向友子坦白自己有兩個瓜子，對麗子有性感興趣……

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? 播放 女演員的情事

劇情提要

劇作家大森被委托編寫了以女演員高階麗子為主演的低預算錄像電影的劇本，她的模特既不會演戲也不會唱歌。暫無內容他雖然年輕，但是是著名的編劇，不管是電影劇還是其他什么有趣的作品，現在工作大幅減少，直到寫低預算錄像的劇本為止。暫無內容大森作為資料被委托主的制片人中村看到，想起25年前去世的姐姐、友子。暫無內容友子在大學生的時候被同一所大學的電影研究部的學生團體強奸殺害了。暫無內容大森接觸到了提供資料的自稱是高山的男人，聽著成為職員的他的話，自己也產生了興趣。回過神來，大森竟然寫著強奸、拷問、小蘇打。暫無內容然后，在和高山親近的過程中，發現自己對姐姐·友子有性感興趣，并且發現其興奮與殺害的結果有關，高階麗子向友子坦白自己有兩個瓜子，對麗子有性感興趣……

幕后花絮

沖動2023

　　一位內向的俄羅斯父親和十幾歲的女兒住在一輛面包車里。面包車裝著他們的全部生活，包括一套電影放映設備。那是他們微薄收入的來源。這對無名的父女從南到北，在他們廣闊國家的極端氣候中漫游。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.