刺客明蒂

★ 2.4 播放：76萬 更新：2026-04-23

科幻B級別影片，故事圍繞MINTY的，一個年輕的，烏黑的頭發，朋克搖滾，女權主義者，女性的超級女主角，吃巧克力，這是一個很好的抗氧化劑來源，得到她的超能力。一天明蒂的代理人，大老板，老年人和尊貴的嘉賓，被劫持為人質，由醫生腦彎管機，邪惡的主謀。明蒂然后打架她的方式上漲腦德爾博士的超自然建設的各種不正當地板戰勝幾個不尋常的惡棍： CAPTAIN能力，是畸形的，聳人聽聞的忍者，一個柔弱的刺客， RAT怪獸，低迷的突變; BRUCE ZEE ，心理武術藝術家;無敵利維坦，一個感性的超級狐貍精; ZEN牛仔，一個蒙著眼睛的槍手;雙重美味，智慧女同志吸血鬼。沿著這條野生奧德賽，明蒂的迷人世界自然科學教育她的對手，然后用她的美貌，她的大腦，純殘暴展示生物學理論的優勝劣汰。明蒂：刺客是一個撲朔迷離的獨立電影榮譽精彩的B級電影，美國電影的界限推。它致敬低估。該片尊重的靈魂是什么讓B級電影娛樂。而不是被限制的一個令人費解的故事情節，明蒂：刺客著重于人物 - 離譜的性格，說的和做一些真的非常規的事情。 　　

在線播放

劇情簡介

科幻B級別影片，故事圍繞MINTY的，一個年輕的，烏黑的頭發，朋克搖滾，女權主義者，女性的超級女主角，吃巧克力，這是一個很好的抗氧化劑來源，得到她的超能力。一天明蒂的代理人，大老板，老年人和尊貴的嘉賓，被劫持為人質，由醫生腦彎管機，邪惡的主謀。明蒂然后打架她的方式上漲腦德爾博士的超自然建設的各種不正當地板戰勝幾個不尋常的惡棍： CAPTAIN能力，是畸形的，聳人聽聞的忍者，一個柔弱的刺客， RAT怪獸，低迷的突變; BRUCE ZEE ，心理武術藝術家;無敵利維坦，一個感性的超級狐貍精; ZEN牛仔，一個蒙著眼睛的槍手;雙重美味，智慧女同志吸血鬼。沿著這條野生奧德賽，明蒂的迷人世界自然科學教育她的對手，然后用她的美貌，她的大腦，純殘暴展示生物學理論的優勝劣汰。明蒂：刺客是一個撲朔迷離的獨立電影榮譽精彩的B級電影，美國電影的界限推。它致敬低估。該片尊重的靈魂是什么讓B級電影娛樂。而不是被限制的一個令人費解的故事情節，明蒂：刺客著重于人物 - 離譜的性格，說的和做一些真的非常規的事情。 　　

導演精選

大蛇5：怪獸都市

太平洋雨夜，海灘尸骸遍野，貨船遭巨獸撕碎，災難預兆降臨。邊郊監獄內，死刑犯烏川臨刑前夜遇史前大蛇襲擊，混亂中越獄，卻在唐人街被女警秦雅擒獲。 恰逢驲琿化工爆發蛇災，烏川母親被困車間，他拒捕欲救人，此時各類史前怪獸肆虐，城市淪為煉獄。二人與幸存者躲進超市，合力斬殺潛藏怪物。眾人查明，驲琿化工違規排海才引生物報復。 吳川挺身營救母親與幸存者，擊敗大蛇阻止二次污染

交響詩篇超進化3

內詳暫無簡介

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.