在線播放
劇情簡介
女主女人味十足,跟男友玩各種情調,卻又嫌男友沒錢,因此勾搭了另外一個富二代,富二代也是個花花公子,對女主垂涎已久,于是這筆無恥的性54交易就開始了,富二代和女主開始在各個地方瘋狂ML,各種姿勢,女主雖然也有想過自己之前的男友,但是為了愛情,她似乎覺得這性-/福生活就是她的幸福...
同類好片
三人新世界
林子祥,鄭裕玲,張曼玉,周慧敏,關秀媚,梁佩瑚,文雋,金燕玲,許紹雄協議
貝倫·魯埃達,米蕾婭·奧利奧,達里奧·格蘭迪內蒂,安東尼奧·杜蘭·莫里斯,喬斯因·本格特伊,卡魯斯·法布雷加,瓦內薩·布查卡,塞巴斯蒂安·蒙特奇諾她不是我媽媽
Artika Sari Devi,奧羅拉·里貝羅,阿里·菲克里,Fara Shakila,Husein Al Athas,Dian Sidik,Sita Nursanti RSD,Khiva Rayanka騙局2024
Dean Edwards,T.L. Flint,Aaron Berg開心鬼撞鬼
黃百鳴,張曼玉,袁潔瑩,陳加玲,徐克,曹查理伊沃克人:為恩多而戰
Wilford Brimley,Aubree Miller,Sian Phillips人氣佳作
美國小說
杰弗里·懷特,翠西·艾利斯·羅斯,約翰·奧提茲,伊薩·雷,斯特林·K·布朗,埃里卡·亞歷山大,萊斯利·格塞斯,亞當·布羅迪,凱斯·大衛,邁拉·盧克利希亞·泰勒,雷蒙德·安東尼·托馬斯,奧基里特·奧諾多瓦,米麗婭姆·肖爾,邁克爾·西里爾·克賴頓,派特里克·費斯克勒,尼爾·勒納,J·C·麥肯澤,詹·哈里斯,貝茨·懷爾德,邁克爾·吉布林最佳拍檔2:大顯神通
許冠杰,麥嘉,張艾嘉,倉田保昭,徐克,葉夏利,曹達華,黃百鳴,汪庭歡,祖迪文,域陀布烈,李家鼎,施明,韓國材,關淑怡宿命,吾愛:第二部
沙伊恩·布邁丁,奧菲莉·芭,Jessica Pennington,薩利姆·克希烏什,安德烈·雅各布斯,阿弗西婭·埃爾奇,亞歷克西婭·夏達,Dany Martial,Marie Bernard,Delinda Kechiche,盧·盧蒂奧,Kamel Saadi,Athéna?s Sifaoui-Blanc兩張彩票
多里安·波古策,德拉戈什·布庫爾,亞歷山德魯-維克多·內姆特亞努,諾拉·庫普辛庫,安迪·瓦斯盧亞努,尤安娜·弗洛倫蒂娜·迪米特流,米爾卡·巴努,伊萊亞斯·費金,艾麗莎·卡林,伊琳娜·諾阿特斯,亞歷山德魯·帕帕多波爾,謝爾班·帕夫盧導演精選
分享鎮
在阿什莉提出離婚后,凱里向好友朱莉和保羅尋求慰藉,卻發現這對表面幸福的夫妻實則奉行開放式婚姻。但當凱里逾越界限時,所有人的感情生活都陷入了混亂漩渦。
七月寒潮
出于自衛,理查德射殺了侵入自己家中的陌生人。但是他不得不面對死者父親的殘忍報復。然而不久,敵對雙方就發現事實并不像表面展現的那么簡單,他們不得不聯合起來面對黑暗的真相。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.