天地正氣

9.9 播放:56萬 2026-04-25

該影片講述9.18事變后,大批文物向西南遷移,1939年,抬棺匠人宋忠義被年輕寡婦楊桃雇傭,送亡夫棺材回樂山安谷鎮安葬,路上遇到心懷叵測的道士想要搶奪棺材,被宋忠義趕跑后,楊桃說出實話,她其實是故宮博物館的專家,棺材里面并非尸體而是文物寶藏,宋忠義妻女正是死于日本人之手,于是答應護送文物至約定地點,一路上遭遇賣國賊埋伏,山賊攔截,親信背叛,在生死邊緣徘徊,最終抵達安谷鎮,將文物歸還給國家的故事。

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諾瑪·蕾

莎莉·菲爾德,博·布里奇斯,羅恩·雷布曼,帕特·亨格爾,芭芭拉·巴斯里,蓋爾·斯特里克蘭德,摩根·保羅,羅伯特·布羅伊爾斯,John Calvin,布思·科爾曼,李·德布魯,詹姆斯·路易西,Vernon Weddle,吉爾伯特·格林,鮑勃·米諾

 故事發生在一個南部小鎮的棉織廠,諾瑪(莎莉·菲爾德 Sally Field 飾)和她的家人都在這里工作。這個工廠的工作環境異常惡劣,工人們每天都經受著資本家的無情剝削和艱辛勞動。面對這種不公平的待遇,工人們備受壓迫和困擾。為了改變這種狀況,總工會派來了一名經驗豐富的組織者,希望能夠協助當地工人組織自己的工會,為工人們爭取更好的待遇和權益。然而,工人們對組織者的到來持有懷疑態度,他們心存疑慮,擔心這只是一個無望的嘗試。組織者面臨著許多困難和挑戰。工人們對他進行冷嘲熱諷,老板則用各種無理阻攔來阻礙工會的成立。看到這一切,諾瑪內心充滿了憤慨和不滿。她是一個有著堅強意志的女性,對不合理的事物總是敢于挑戰。受到組織者的激勵和影響,諾瑪最終選擇站出來,成為了改變的先鋒。

人工情報

趙寅成,樸正民,樸解浚,申世景

韓國國情院特工趙科長,奉命追查跨國犯罪集團,循著犧牲情報員的線索前往俄羅斯符拉迪沃斯托克,意外與朝鮮特工樸健狹路相逢。兩人圍繞核心情報源蔡善花展開博弈,卻同時被各自國家拋棄,被迫在忠誠、背叛與生死之間,聯手揭開邊境諜戰的驚天黑幕。

DB

來自河北廊坊的說唱少年,王笑,因一次意外打架事件背負巨額欠款。王笑母親在不明真相的情況下替王笑支付了該筆欠款,王笑知道后和母親大吵一架并且決定前往北京打工還債。來到北京之后王笑接連租房受騙,感情受挫,說唱事業也無法繼續發展,而且再次欠下巨額欠款。王笑該如何面對這一切?

SPEC:翔

戶田惠梨香,加瀨亮,淺野優子,谷村美月,福田沙紀,神木隆之介,龍雷太,椎名桔平,城田優,緒方義博

  經過長時間的休整,治療眼傷的瀨文焚流(加瀨亮 飾)終于隨著當麻(戶田惠梨香 飾)重返闊別已久的未詳,只是此時來自公安部公安五課的市柳(でんでん 飾)和吉川(北村一輝 飾)握得實權,令瀨文等人頗為氣悶。與此同時,在市井算命的覺被一掌握瞬間移動能力的黑衣男子射殺,同時遇害的還有覺的保鏢以及幾名無辜市民。父母雙雙遇害而作為幸存者并且目擊了黑衣人真實容顏的少女久遠望(谷村美月 飾)便成為對方追殺的目標。為了保護小望,未詳同仁通力合作,并持續追索黑衣人的真面目以及其背后的陰謀。在此期間,當麻也展示了其不為人知的SPEC。一場斗智斗勇的戰斗拉開了序幕……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

我的朋友安德烈

劉昊然,董子健,殷桃,韓昊霖,遲興楷,董寶石,寧理,雷佳音,章若楠,張宥浩,薛寶鶴

性格迥異的李默(劉昊然 飾)與安德烈(董子健 飾)因為足球成為知己,而一場意外卻讓安德烈跟隨年少往事一起消失在了李默的記憶中。多年后,李默在為父親奔喪路上與安德烈“重逢”,一段塵封的回憶被逐漸揭開……                                                                        電影改編自雙雪濤的同名小說《我的朋友安德烈》。