劇情簡介
一個沒名字的侽人碰上一個沒名字的釹人，在餐廳鈡，二人天馬行空地談及一段段史詩式情慾故事︰長平公主在庵堂內的xing渴求、珍妃以xing瘧來過癮光緒皇帝，還有大島渚「感官世界」鈡的吉藏和阿部定， 不分晝夜地干，最后在xing高潮一刻把侽根割丅。在紅酒的化丅，侽人帶釹人上酒店，接著是一夜纏綿。事后，釹人發覺浴缸躺著一具釹尸，原來侽人為達至忘硪高潮，曾錯手把釹伴殺掉
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校園火劫：深淵
未知暴風雨中，3名女子學校的學生被困在地下坑里，他們必須直面各自的內心沖突，奮力求生。
惡魔的破壞 后篇
幾田莉拉,志水彩乃,種崎敦美,島袋美由利,大木咲繪子,和氣杏未,白石涼子,入野自由,內山昂輝,坂泰斗,諏訪部順一,津田健次郎三年前的8月31日，“侵略者”巨大的母艦突如其來地降臨在東京，眼看這個世界即將迎來末日。 自此之后，絕望漸漸地融入了日常生活；大大的飛碟盤旋于空中，今天也依然不變地持續環繞著世界。而在還沒有來到世界末日的此刻，小山門出、中川凰蘭這兩個高中女生的青春時代才正要展開。
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布蘭登·費舍,薩迪·辛克,周洪,泰·辛普金斯,薩曼莎·莫頓,實諦·史達仁,杰西·辛克影片改編自Samuel D. Hunter創作的同名戲劇，講述在愛達荷州鄉村一個破舊的公寓里，重達272公斤的英語教師查理（布蘭登·費舍 飾）隱居避世，固執、堅決地要把自己吃死。查理在中年時期為了同性情人拋棄家人，但情人過世后因為悲傷和內疚暴飲暴食，并且嘗試與17歲的女兒艾莉（薩迪·辛克 飾）修復關系。隨著查理越來越接近不可避免的命運，他的朋友麗茲（周洪 飾），一個憤世嫉俗的無神論者護士，以及埃爾德·托馬斯（泰·辛普金斯 飾），一個年輕的傳教士都試圖在查理身上找到能被拯救的意志，無論是肉體上還是精神上。然而，只有與查理關系疏遠的女兒艾莉才能讓他看到目前絕望狀態之外的未來，艾莉雖然尖酸刻薄、充滿仇恨、渾身是刺，查理卻能在她身上找到最后一次贖罪的機會，甚至可能是一絲希望。
次世代機動警察：首都決戰
真野惠里菜,福士誠治,筧利夫,太田莉菜,千葉繁在毫無征兆的一個晴朗日子，一枚導彈筆直飛來，將國際大都會東京都內極具代表性的彩虹橋炸為兩截。該事件在都內引起不小的騷動，此后不久，警視廳公安部外事三課的警部高畑慧（高島禮子 飾）帶著相關視頻資料找到藤田繼次（筧利夫 飾）所統率的特車二課，經分析發現這次襲擊來自于那架自衛隊不久前失竊的新型戰斗直升機AH-88J2改“灰色幽靈（Grey Ghost）”。經高畑之口得知，該恐怖事件與拓植行人、灰原零（森カンナ 飾）有直接的關系。而在紛亂的實踐中，特車二課則面臨著被撤消的危險。 東京一千萬人口淪為暴動分子的人質，面對前所未有的危機，泉野明（真野惠里菜 飾）和她的LABOR能否力挽狂瀾？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
揚帆
貝蒂·戴維斯,保羅·亨雷德,克勞德·雷恩斯,格拉黛絲·庫珀夏洛特（貝蒂·戴維斯 Bette Davis 飾）已經能算得上是一個老姑娘了，她梳著呆板的發型，穿著保守的服裝，性格也古里古怪的，更糟糕的是，她似乎還染上了酗酒的壞毛病。在家人的建議之下，夏洛特決定踏上治療心靈的旅途，登上了駛往遠方的游輪。在游輪上，夏洛特邂逅了名為杰瑞（保羅·亨雷德 Paul Henreid 飾）的男子，并且在誤打誤撞之中和杰瑞的女兒結下了深厚的友誼。很快，夏洛特就感到自己墜入了情網之中，然而，此時的杰瑞并不是自由身，他有這一段無法結束的婚姻。心碎的夏洛特選擇了離開，而夏洛特的母親也在不久之后撒手人寰。
大電影之數百億
姚晨,黃渤,焦陽,曾志偉,宋佳,王迅以乳鴿店立身的安德森（曾志偉 飾）赴上海創業，卻迷上炒房，將妻子氣死也未思悔改，這天安德森在影院偶然聽到代言新樓盤“碧水云居”的過氣演員潘志強（黃渤 飾）放出的“內部消息”，遂再次籌款預搶購新房。與此同時，新婚的昔日售樓小姐羅茜（姚晨 飾）為碧水云居付出五萬訂金后，驚系該樓盤周邊林立各污染源。潘志強擔任樓盤主持嘉賓并為售樓公司鞍前馬后，只希望對方能為自己的新片注資，不料卻被要求退還訂金的羅茜糾纏，潘志強心生一計，令羅茜將房轉賣安德森，事成后自食其言拒退訂金，羅茜無奈只得曝光樓盤內幕，結果引發連串反應，使潘志強與安德森發現自己陷入了開發商之局，于是各人苦思脫身之法……