性 丈夫 情人 (1990)
趙均(高念國 飾)和娟娟(田佳秀 飾)是一對幸福的夫妻,他們相互深愛著。然而,他們的生活被娟娟的朋友浩明的暗戀所困擾。浩明通過望遠鏡偷窺娟娟,并暗自幻想。一天晚上,浩明潛入娟娟的房間,被趙均發現,導致了一場激烈的爭斗。在這次爭斗中,趙均不慎受傷,性能力受到了影響,無法滿足娟娟的需求。為了解決這個問題,趙均決定前往美國接受治療。在他離開的期間,娟娟和浩明再次相遇,兩人的積壓情感在一夜之間爆發,讓他們沉浸在愛情的幸福中。 然而,當趙均從美國返回時,他希望重新建立夫妻生活。浩明卻不愿意放手,甚至拿到了娟娟的司機小丁來勒索娟娟。小丁威脅要揭露兩人的私情,以此來要挾娟娟提供金錢,甚至愿意以性行為作為交換條件。這一系列事件引發了道德困境和感情糾葛,最終導致了悲劇的發生,將所有人卷入了毀滅性的局面。
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最后的維京人
麥斯·米科爾森,尼古拉·雷·卡斯,拉斯·蘭特,蘇菲·格拉寶,卡爾多·拉扎齊,拉爾斯·博格曼,索倫·莫靈,尼可拉斯·布若,波笛·約根森,安妮特·斯托維爾拜克,麗克·路易絲·安德森,Klaus S?ndergaard,莉拉·諾貝爾,Susanne Breuning,Bue Wandahl,Peter Düring,Alfred R?ssel L?s?,Nomi Bodnia,Joel Hesse Johansen毀滅的發明
盧博爾·托科什,Arnost Navrátil,米羅斯拉夫·霍盧布,弗蘭蒂澤克·斯列格爾,Václav Kyzlink,Jana Zatloukalová,休·唐斯,Frantisek Cerny,奧托·希曼內克,Václav Trégl另一個人
連姆·尼森,安東尼奧·班德拉斯,勞拉·琳妮,蘿瑪拉·嘉瑞,Abigail Canton告白
松隆子,岡田將生,木村佳乃,西井幸人,橋本愛,蘆田愛菜,三吉彩花,藤原薰,井之脅海,清水尚彌,高橋努,一井直樹,能年玲奈,新井浩文,野本螢東北戀哥3:冬天里的一把火
包貝爾,張夢露,喬杉,潘斌龍,韓彥博,韓云云,張呈溫泉鯊
金子清文,藤村拓矢,中西裕胡,內藤正記,安原寛之,野二紀人同類推薦
丹鳳眼
陳虹妤,麥肯娜·格瑞絲,麥特里伊·拉瑪克里斯南,鄔君梅,阿梅莉·齊爾伯,杜方,伊蓮·亨德里克斯,梅根·海耶斯,克里斯汀·崔,夏洛特·安·塔克,布里頓·韋伯,Callie McClincy,Scott Deal,薩拉·科普金,R.基斯·哈里斯,喬納森·D·威廉斯,馬龍·托馬斯,伊麗莎白·潘,Cecelia Specht,Katy Wilson,馬克·德米特故事圍繞黃瓊展開,她8歲移民美國,始終難以融入周遭。渴望融入美國社會的她,癡迷于贏得“舞會皇后”頭銜,將其視作被接納的象征。當親眼見證舞會皇后加冕 —— 那正是她向往成為的模樣時,這份執念愈發強烈。為實現目標,瓊發現了一項能改變種族的新科技,借此將自己變成了白人女孩。然而,當她改造后的面容開始衰敗,她的追求走向黑暗轉折,迫使她直面自身行為的后果。
聰明人
丹尼斯·奎德,莎拉·杰茜卡·帕克,托馬斯·哈登·丘奇,艾利奧特·佩吉,艾什頓·霍爾姆斯,克里斯汀·拉蒂勞倫斯(丹尼斯·奎德 Dennis Quaid 飾)是一名要求嚴苛的中年教授,雖然心地善良,但他拒人千里的氣質使得學生對其厭煩,兒子和女兒也日漸對其冷淡。自從妻子去世后,獨自撫養兩個孩子的他就變得更加煩躁和無奈。一天,勞倫斯意外從柵欄上摔下來,被送進了醫院,并得知負責他康復的女醫生珍妮特(莎拉·杰茜卡·帕克 Sarah Jessica Parker 飾)原來是他曾經教過的學生,不過他已經記不清楚了。在頻頻約會后,勞倫斯發現自己似乎愛上了珍妮特,然而卻深知自己仍在妻子逝世的陰影之下徘徊。面對眼前他不舍放棄的女子,似乎是愛情讓這個老男人又開始嘗試改變,嘗試敞開心扉,嘗試一個新的自己……
7A公寓
朱莉婭·加納,黛安·韋斯特,吉姆·斯特吉斯,凱文·麥克納利,安德魯·巴肯,寇布勒·霍爾德布魯克-史密斯,瑪里·休,羅西·麥克尤恩,妮基塔·查達哈,帕特里克·利斯特,詹姆斯·斯旺頓,愛米莉·利森,Brooke Walter,Mellanie Hubert,阿聶爾·德賽,迪倫·鮑德溫,Hannah Morley,斯科特·休姆,朱莉婭·威斯科特-哈頓,Andre Lillis影片改編自艾拉·萊文的同名小說,講述1968年著名恐怖片《羅斯瑪麗的嬰兒》的前傳故事。 年輕舞者Terry Gionoffrio(朱莉婭·加納 Julia Garner 飾)遭受了毀滅性傷害,當一對富有的老夫婦承諾給她成名機會后,她發現自己被黑暗力量所吸引。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
諜影行動
加里·奧德曼,科林·費爾斯,湯姆·哈迪,約翰·赫特,托比·瓊斯,馬克·斯特朗,本尼迪克特·康伯巴奇,塞倫·希德,大衛·丹席克冷戰時,全球兩大特工組織——俄羅斯“中心”與英國“圓場”明爭暗斗。特工遇害,高層震怒,責成“圓場”挖出“地鼠”。懷疑對象共有5人,即圓場上任“老總”命名的鍋匠,裁縫,士兵,窮人,乞丐。其中,金盆洗手的“乞丐”喬治·史邁利(加里·奧德曼 Gary Oldman 飾)本來有重大嫌疑。某日,行動組-剝頭皮組頭目的彼得·吉勒姆(本尼迪克特·康伯巴奇 Benedict Cumberbatch 飾)與英國內閣辦公室諜報總監拉康排除了史邁利的嫌疑,令其重新出山,負責挖出“地鼠”。于是,史邁利開始分別走訪故人,調查“圓場”老大阿勒萊恩,裁縫-比爾·海頓(科林·費斯 Colin Firth 飾),士兵-掌管東歐事務的資深間諜羅埃·布蘭德,窮人-后勤部門點路燈組組長托比·伊斯特哈斯。一時間,圓場疑云密布,人人自危,究竟誰才是“地鼠”…… 本片本片根據約翰·勒卡雷的同名小說改編。片名來自英國民間的“鵝媽媽童謠集”。