劇情簡(jiǎn)介
偶然的機(jī)會(huì)住在大宅邸的銀河的幸福不會(huì)持續(xù)多久。與從俄羅斯來(lái)的真正的房東貝拉開(kāi)始同居，貝拉對(duì)銀河的男人表現(xiàn)出了興趣。
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內(nèi)幕2025
郭富城,任達(dá)華,吳鎮(zhèn)宇,方中信,陳國(guó)邦,湯怡,周勵(lì)淇,李靖筠,姜大衛(wèi),駱應(yīng)鈞,鮑起靜,黎峻,耿長(zhǎng)軍,張文杰,蘇家樂(lè),張達(dá)倫,陳湛文,馬俊怡,鄒文正香港著名慈善基金會(huì)晚宴現(xiàn)場(chǎng)，財(cái)務(wù)總監(jiān)楊滔（任達(dá)華 飾）離奇吊死在會(huì)場(chǎng)，疑云籠罩之下，兩億善款也不翼而飛！“良知律師”馬迎風(fēng)（郭富城 飾）與“玩咖警長(zhǎng)”柯定邦（吳鎮(zhèn)宇 飾）意外被卷入其中，隨著二人調(diào)查不斷深入，慈善表象之下的駭人罪惡也接連現(xiàn)形——操縱司法、買兇殺人、走私販毒、勾結(jié)境外勢(shì)力……善意變生意，民眾的捐款竟淪為黑惡組織的血包！楊滔之死的真相到底是什么？他們能否將所有內(nèi)幕公之于眾，還社會(huì)以公道？
兩個(gè)世界一個(gè)愿望
漢黛·埃塞爾,梅廷·阿克杜爾格,哈塞·阿維尼·丹亞爾,Ipek Erdem,迪德姆·英瑟勒,塞爾坎·廷馬茲,Idil Firat,拉米·納林,Ilayda Orkut,Eylül Su Sapan,梅爾特·埃格·阿克,Ihsan Ilhan,Deniz Duygu K?se,Nazlican Demir,Erdal Bilingen一位世界著名的考古學(xué)家和一位務(wù)實(shí)的律師在童年紐帶多年后重新聯(lián)系，當(dāng)時(shí)他們天真無(wú)邪的友誼變成了堅(jiān)不可破的東西。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
狼嚎2023
Ebonie Cadman,杰登·考爾菲德,Jesse Matthews Cooke這是一部只有背景音樂(lè)寫實(shí)的粗獷毫不妥協(xié)且極具風(fēng)格的獨(dú)立無(wú)聲藝術(shù)電影，描述在美國(guó)式的自由民主制度下所誕生的黑社會(huì)陰暗面、地痞流氓、吸食毒品、色情、謀殺、販賣軍火等，改編自古希臘荷馬史詩(shī)中的人物故事。
壞繼母
蘇菲亞·威希涅瓦,克里斯蒂·斯旺森,羅根·霍夫曼,戴夫·戴維斯,Anthony Marble,約翰·麥康奈爾Following the sudden and mysterious death of their father, a brother and sister return home to their sprawling New Orleans estate and encounter their unhinged stepmother, who will stop at nothing to gain control of their inheritance.
莫·吉里根：活在當(dāng)下
莫·吉里根Follows British comedian Mo Gilligan as he dishes on fame, family and being British in America.
愛(ài)的藝術(shù)
Hannah Taylor-Gordon,杰奎琳·比塞特,娜塔麗·特納故事發(fā)生于20世紀(jì)的德國(guó)，在一片茂密的森林里，隱藏著一所不為人知的神秘學(xué)校。在學(xué)校里，生活著一群年輕的女孩們，沒(méi)有人知道她們是從哪里來(lái)的，就連她們自己也不太清楚。所有人仿佛一生下來(lái)就已經(jīng)身在這閉塞的高墻之內(nèi)，完全不知道外面還有著更廣闊的的世界。 海達(dá)拉（瑪麗·奈姬 Mary Nighy 飾）、埃倫娜（漢娜·泰勒-高登 Hannah Taylor-Gordon 飾）、薇拉（娜塔麗·特納 Natalia Tena 飾）和雷恩（安雅·拉希里 Anya Lahiri 飾）均是這所學(xué)校里的學(xué)生，當(dāng)她們開(kāi)始質(zhì)疑起她們的生活和過(guò)去時(shí)，原本維系著學(xué)校內(nèi)事務(wù)正常運(yùn)作的條條框框都開(kāi)始失去功能，兩個(gè)女生的神秘失蹤更是為此增添了不安定的因素。