劇情縱覽
It's a timely story about the romantic escapade of a top woman corporate executive, flamboyantly decorated with baroque compositions and provocative emotions, Like Jean Luc Godard making an adaptation of a Harlequin romance.
It's a timely story about the romantic escapade of a top woman corporate executive, flamboyantly decorated with baroque compositions and provocative emotions, Like Jean Luc Godard making an adaptation of a Harlequin romance.
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
香港著名慈善基金會晚宴現(xiàn)場,財務(wù)總監(jiān)楊滔(任達(dá)華 飾)離奇吊死在會場,疑云籠罩之下,兩億善款也不翼而飛!“良知律師”馬迎風(fēng)(郭富城 飾)與“玩咖警長”柯定邦(吳鎮(zhèn)宇 飾)意外被卷入其中,隨著二人調(diào)查不斷深入,慈善表象之下的駭人罪惡也接連現(xiàn)形——操縱司法、買兇殺人、走私販毒、勾結(jié)境外勢力……善意變生意,民眾的捐款竟淪為黑惡組織的血包!楊滔之死的真相到底是什么?他們能否將所有內(nèi)幕公之于眾,還社會以公道?
在二戰(zhàn)后尚未歸還日本的沖繩島上,有一群人自可怕的「鐵暴風(fēng)」中幸存下來。他們像動物般活在殘破的世界,眼前是垂死的島民和尸體。于是他們從美軍的倉庫和基地?fù)寠Z物資,延續(xù)這座島上未完的戰(zhàn)爭,他們被叫做「戰(zhàn)果撈客」。直到那一夜,阿恩(永山瑛太 飾)在嘉手納基地的逃亡過程中神秘失蹤,一場曾將故鄉(xiāng)燒毀殆盡的鐵暴風(fēng)再度席卷這座島嶼而來。 「活下去,生還才是最大的戰(zhàn)果。」多年之后,島上女孩接連慘遭殺害,一名菜鳥琉球警察(妻夫木聰 飾)奉令偵辦命案。追捕疑犯的過程中,在兇手車子里發(fā)現(xiàn)的人骨和一名神秘出現(xiàn)的男孩,讓他兒時身為戰(zhàn)果撈客的記憶與一道道未解謎團(tuán)又重回腦海。
9名年輕人醒來后,腦袋上插著攝像頭,他們是一場密室逃脫游戲的參與者,為了生存,必須相互殺戮,直到最后一人。