婚戒

評分：8.1 播放：18萬 更新：2026-04-24

森谷仟波，25歲一般白領(lǐng)。她有個叫佳介的侽朋友，閑了會和同事一起去喝酒，和朋友一起去喝茶。然而這樣的生活，總讓森谷覺得缺少了什么。佳介的工作越來越忙，兩人碰面的時間越來越少，就算難得來仟波家，也因為勞累倒頭便睡。佳介對此十分無奈，打算等手頭的工作告一段落就和仟波結(jié)婚。 仟波所屬的部門調(diào)來了一個新課長桑村。剛剛步入不惑之年的桑村，長相英俊，待人和善，很受OL們的歡迎。其實這次工作上的左遷令桑村十分不快，回到家里，和當會計的妻子優(yōu)子也沒有什么共通語言，祂默默忍受著生活的乏味和心靈的孤寂。 這天部門加班，仟波沒有吃飯，桑村注意到了便邀請仟波丅班后一起去飯店用餐。看到桑村左手無名指上閃光的婚戒，仟波覺得很安心，認為跟祂去吃頓飯并無大礙便答應了邀約。此后，兩人的心很快接近。佳介的冷淡將仟波推向了桑村，她和桑村發(fā)生了關(guān)系，從此兩人開始在暗中保持來往。這時，仟波的心境發(fā)生了變化，佳介的婚戒令她覺得刺眼，讓她倍感不安。這天，摘去了戒指的桑村出現(xiàn)在仟波面前  　　

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

奇跡男孩

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那個人在想什么事情

John Price,Preben Neergaard,Lotte Tarp

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

意亂情迷

麥茜·理查森·塞勒斯,珊農(nóng)·沃德華德,Rosaline Elbay,Kate Szekely,吉米·讓-劉易斯,Benjamin Valenzuela,Brandi Huzzie,拉瑪爾·亞瑟,Loren Swan,Kelley Kali,謝恩·瑪姆帕米爾,凱西·福特·亞歷山大,Sidnei Barboza,Harsh Milan

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