床伴清單

★ 1.2 播放：40萬(wàn) 更新：2026-04-25

安琪拉（卡琳·安娜·張暫無(wú)內(nèi)容Karin暫無(wú)內(nèi)容Anna暫無(wú)內(nèi)容Cheung暫無(wú)內(nèi)容飾）從沒有覺得“性”是什么神圣或者羞于啟齒的事情，她輾轉(zhuǎn)在不同的床伴之間，盡情的享受著魚水之歡帶給她的快樂和充實(shí)。然而，有一天，安琪拉發(fā)現(xiàn)自己竟然懷孕了，在和自己“同床共枕”過的伴侶中，安琪拉找到了四個(gè)最有可能讓她“中招”的男人，她決定用排除法來確定他們當(dāng)中究竟誰(shuí)才是孩子的父親。

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劇情簡(jiǎn)介

安琪拉（卡琳·安娜·張暫無(wú)內(nèi)容Karin暫無(wú)內(nèi)容Anna暫無(wú)內(nèi)容Cheung暫無(wú)內(nèi)容飾）從沒有覺得“性”是什么神圣或者羞于啟齒的事情，她輾轉(zhuǎn)在不同的床伴之間，盡情的享受著魚水之歡帶給她的快樂和充實(shí)。然而，有一天，安琪拉發(fā)現(xiàn)自己竟然懷孕了，在和自己“同床共枕”過的伴侶中，安琪拉找到了四個(gè)最有可能讓她“中招”的男人，她決定用排除法來確定他們當(dāng)中究竟誰(shuí)才是孩子的父親。

導(dǎo)演精選

卡薩諾瓦1976

 意大利導(dǎo)演費(fèi)德里克．費(fèi)里尼的中期經(jīng)典作《八部半》是其成熟高峰期作品，此后開始走向糜爛而至腐敗，偏于肉欲放縱和自我沉溺，像《費(fèi)里尼之薩蒂尼康》（六九年）和本片，都是糜爛頹廢的出色力作。本片反映了十八世紀(jì)基督道德不振后的上流腐化放縱，費(fèi)里尼盡情借題發(fā)揮，展現(xiàn)出精英文藝在人欲橫流下的腐爛情態(tài)。大情人卡薩諾華是在情場(chǎng)屢戰(zhàn)屢勝的“性斗士"，不斷獵艷，還參加造愛競(jìng)賽。但這大情人苦于人人只重他的性愛能力，不重視他經(jīng)世濟(jì)民治國(guó)的才學(xué)。而且女人們對(duì)他都“有性無(wú)愛"，當(dāng)他衰老得失去性魅力之后，就只能把一個(gè)機(jī)械女人當(dāng)作夢(mèng)中情人，很可悲可憐。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

鋼琴之子

　　Wolfgang, a ten-year-old boy with an IQ of 152 and autism spectrum disorder, is forced to live with his father Carles, whom he has never seen, after the sudden death of his mother.