好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

芭比真人版

 在夢(mèng)幻浪漫的芭比樂(lè)園里，美麗自信的芭比們每日過(guò)著快樂(lè)無(wú)憂的生活，她們活躍在每一個(gè)工作崗位，肯是點(diǎn)綴，女孩的聚會(huì)才至關(guān)重要。直到某一天，我們的主角芭比（瑪格特·羅比 Margot Robbie 飾）突然提到了生死，她的完美生活毫無(wú)征兆發(fā)生改變。她的口氣不再清新，面容開(kāi)始猶豫憔悴，也無(wú)法輕盈地從頂樓飄落下來(lái)。經(jīng)前輩點(diǎn)播，她意識(shí)到人類世界某個(gè)人和她建立著聯(lián)系，而那個(gè)人的心境似乎正投射到芭比的身上來(lái)。為了找回曾經(jīng)的完美生活，芭比和肯（瑞恩·高斯林 Ryan Gosling 飾）輾轉(zhuǎn)來(lái)到現(xiàn)實(shí)世界，并經(jīng)過(guò)一番波折見(jiàn)到了葛洛莉婭（亞美莉卡·費(fèi)雷拉 America Ferrera 飾）母女，而肯也在見(jiàn)識(shí)到男權(quán)社會(huì)的魅力之后，心中升起要改變芭比樂(lè)園的念頭……

我的曼啊：2025圣誕特別篇