明智小五郎美女系列23:火焰中的美女 江戶(hù)川亂步的恐怖三角館

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  江戶(hù)川亂步的恐怖三角館

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  江戶(hù)川亂步的恐怖三角館

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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徐立,曲少石,楊瓏,劉著,劉金,曹禹澄,李鶴楠,趙洪紀(jì),李昕芮,王昌,熊競(jìng)宇

  云南某小鎮(zhèn)上的一家客棧,浪蕩不羈的老板楊浩(曲少石 飾)與女服務(wù)員鬧鬧(曹蕾 飾)有染,還想方設(shè)法勾搭實(shí)習(xí)女服務(wù)生曉菲(徐立 飾)。柳經(jīng)理看在眼里,忍氣吞聲。這一天,楊浩的發(fā)小蹦燈兒(李鶴楠 飾)海外留學(xué)歸來(lái)。兩個(gè)好朋友一個(gè)德行,都有著輕浮虛化的言行。為了給好友接風(fēng),楊浩召集柳經(jīng)理、曉菲、鬧鬧、后廚的仙爺、華子、小胖等人大擺筵席。夜深人靜,安靜的小院內(nèi)響起了陰冷清脆的高跟鞋聲,接著一個(gè)披頭散發(fā)的女人影影綽綽出現(xiàn)在各個(gè)角落。  心懷鬼胎的個(gè)人,將經(jīng)歷最恐怖的一夜……

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丹尼爾·沃羅比耶夫,謝爾蓋·別茲魯科夫,Mikhail Gavrilov,Eldar Kalimulin,尼基塔·科洛格利維,羅曼·邁迪安諾夫,奧爾佳·奧佐拉平亞

  The history of the military operation "Bagration", which took place in August 1944.

解決專(zhuān)家

黃才倫,邱意濃,林子聰,許詩(shī)晨,王瀚邦,王人可,文東俊,岳冬峰,劉奕心,阿蒂婭,劉海涵,解斯童

“解決專(zhuān)家”衣然英俊遇到羅師傅上門(mén)求助,羅師傅因跌打油遭誣告,其妹雙雙、盈盈為幫兄私自參加高顏獎(jiǎng)金選美。衣然英俊攜老孫、羅師傅追至賽場(chǎng),與羅妹及中國(guó)選手徐菲組隊(duì),闖叢林、破廟宇機(jī)關(guān),最終揭穿比賽的陰謀,助羅師傅渡過(guò)難關(guān)。

網(wǎng)絡(luò)迷宮

克里斯多弗·蘭伯特,迭戈·阿巴坦托諾,斯特凡妮婭·羅卡

  2005年圣節(jié)前3天,電子游戲設(shè)計(jì)員米正在趕制全新游戲-極樂(lè)迷宮,準(zhǔn)備在圣誕日推出面大量發(fā)售.豈料異變突然發(fā)生,游戲里的主角蘇被病毒感染產(chǎn)生自主意志,厭倦了打打殺殺無(wú)限續(xù)局的殘酷生涯,要求杰米刪除游戲程式,另一邊廂,電腦集團(tuán)又派人催促杰米趕快交貨,進(jìn)退維谷的,他只好兵行險(xiǎn)著,策動(dòng)一場(chǎng)網(wǎng)絡(luò)革命……