34歲的年輕女子Ella McCay（艾瑪·麥基 Emma Mackey 飾）當(dāng)上了州長(zhǎng)，需要努力平衡政壇職責(zé)和家庭生活。

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

　　智雄（宋仲基 飾）大學(xué)畢業(yè)后便整日游手好閑。某天他認(rèn)識(shí)了從對(duì)面天臺(tái)跳過(guò)來(lái)?yè)炱孔拥墓峙思t實(shí)（韓藝瑟 飾）。守財(cái)如命的紅實(shí)盯上了智雄住所的搬遷費(fèi)，她暗中找到智雄的房東，把租房合同改到自己名下，令智雄無(wú)家可歸。看到對(duì)方依舊樂(lè)觀的樣子，受到觸動(dòng)的紅實(shí)承諾幫助他在短期內(nèi)攢到巨款。毫不知情的智雄對(duì)紅實(shí)的“善心之舉”懷抱感激。他開(kāi)始學(xué)習(xí)無(wú)條件聽(tīng)從紅實(shí)的命令，但是時(shí)常暴露的敗家本性又總會(huì)惹惱紅實(shí)。　　紅實(shí)雖然異常吝嗇，內(nèi)心深處卻也有著女人的夢(mèng)想。她把辛苦攢到的錢(qián)交給意中人（李相燁 飾）托管，期望有一天能成為配得上對(duì)方的好女人。卻不料一日意中人與情人攜款逃跑，令紅實(shí)深受打擊。而智雄也終于得知當(dāng)初無(wú)家可歸的內(nèi)幕，感到被利用的他是否會(huì)原諒紅實(shí)？

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.