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劇情提要
某個(gè)巴西的私人女子監(jiān)獄里，女囚們反抗守衛(wèi)的虐待和性侵犯、人口販賣(mài)，特別是監(jiān)獄長(zhǎng)，在監(jiān)獄讓婦女喝酒精并且用藥片挑逗的的這好色作為。女囚們?cè)噲D越獄，少數(shù)成功者，卻也無(wú)法擺脫追捕和更加殘忍的對(duì)待。
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楊子姍,趙又廷,韓庚,江疏影,劉雅瑟,張瑤,包貝爾,鄭愷,王佳佳,黃宥明,佟麗婭,孫瑋,王森,黃小蕾,楊瀾,宮哲,崔文璐,韓紅,潘虹,李大光,馬小寧,郝姍姍千王1991
梁朝偉,黃百鳴,任達(dá)華,葉子楣,泰迪·羅賓,梁天,樂(lè)韻黑羊
克里斯·法利,David Spade,Tim Matheson迷失禁區(qū)
陳明民,梁鴻,王新宇,金晨曦蠱鎮(zhèn)
Caitlin McWethy,Rachel Ryu,Emily Soppe幕后花絮
那個(gè)人在想什么事情
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
吹笛人
當(dāng)一位作曲家的任務(wù)是完成她已故導(dǎo)師的協(xié)奏曲時(shí)，她很快發(fā)現(xiàn)演奏音樂(lè)會(huì)帶來(lái)致命的后果，這讓她發(fā)現(xiàn)了旋律的令人不安的起源和已經(jīng)覺(jué)醒的邪惡。