看不見的女人

? 0.0 播放:05萬 2026-04-26

故事發生在1950年巴西的里約熱內盧,18歲的尤麗狄茜與20歲的吉達是一對形影不離的親生姐妹,她們與保守的父母一同生活。雖然家風傳統,姐妹倆卻各自懷揣夢想:尤麗狄茜想做一名職業鋼琴家,吉達渴望追尋真愛。在一次戲劇化的變故后,姐妹被迫分離,兩人各自的夢想也因生活的無奈被擱置。即便如此,姐妹倆從未放棄找尋彼此的希望。

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劇情提要

故事發生在1950年巴西的里約熱內盧,18歲的尤麗狄茜與20歲的吉達是一對形影不離的親生姐妹,她們與保守的父母一同生活。雖然家風傳統,姐妹倆卻各自懷揣夢想:尤麗狄茜想做一名職業鋼琴家,吉達渴望追尋真愛。在一次戲劇化的變故后,姐妹被迫分離,兩人各自的夢想也因生活的無奈被擱置。即便如此,姐妹倆從未放棄找尋彼此的希望。

幕后花絮

特蕾莎修女

 講述特蕾莎修女一生中關鍵的7天,即她決定離開加爾各答的洛雷托·恩塔利修道院,創立自己的修道會的時期。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster