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劇情提要
[嗲囡囡FEILIN]暫無內容暫無內容寫真集系列鑒賞
暗夜精選
六度戰栗
愛德華·福隆凱歌香檳
娜塔莎·奧基弗,海莉·貝內特,湯姆·斯圖里奇,本·邁爾斯,里奧·蘇特,薩姆·賴利,保羅·瑞斯,卡拉·西摩,克里斯·拉金,安森·布恩,伊恩·克寧漢,塞西莉·克利夫,Joseph Rapp,David Emmanuel名偵探柯南:獨眼的殘像
高山南,山崎和佳奈,小山力也,速水獎,高田裕司,小清水亞美,草尾毅,飛田展男,高木涉,湯屋敦子,茶風林,岸野幸正,綠川光,山田孝之,山下美月黑仙女
安努舒卡·莎瑪,帕拉姆巴拉塔·查特吉,拉賈特·卡普爾,Ritabhari Chakraborty,Dibyendu Bhattacharya機械姬
艾麗西亞·維坎德,多姆納爾·格里森,奧斯卡·伊薩克,水野索諾婭,克里·約翰遜,Claire Selby,Symara A. Templeman,嘎娜·巴亞爾賽汗,Tiffany Pisani,伊蓮娜·艾爾米納斯,李仙湖,黛博拉·羅桑,喬安娜·希雅,艾薇·維金剛的逆襲
寶田明,羅茲·利森,濱美枝,琳達·米勒,天本英世觀光路線
喬什·杜哈明,丹·福勒,米勒克爾·勞麗,Christie Burson,彼得·邁克爾·戈茨幕后花絮
死星
Claudio Nervi, an eclectic director, and Lucia Neve, a disillusioned producer, are looking for a new actress who could help them with their latest feature film, a project that is undoubtedly adrift. During a meeting with one of the most promising candidates, Stella, the girl will reveal them that the script of the movie is pretty similar to a story she knows well: the story of how she died.
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster