電子云層下

梅拉布·尼尼澤,丘爾潘·哈馬托娃,拉米爾·薩爾霍烏德諾夫,卡里姆·帕卡什科夫,阿納斯塔西婭·梅利尼科娃,彼得·戈薩沃斯基,路易斯·弗蘭克,維克托·博科夫,維多利亞··科如托科娃

　　霧雪籠罩的怪異河岸。四處散落著鋼精和水泥。一棟廢棄的摩天大樓。平坦處仍未完工的公路橋。一座宏大的金屬制的馬的雕像。還有一座列寧的雕塑，他的右手伸展著指向空曠處。這是一個冰冷、僵化的無人之境，衰落的往昔在這里與想象中的未來接壤。人們漫無目的地穿過這個不真實的世界。原先確定無疑的事情不再令人確信，親戚朋友都消失了，理想已經隨風而散。薩莎從國外返回家鄉，她死去的父親曾經是這片建筑工地的主人，現在她繼承了這筆遺產：一位正在尋找工友的吉爾吉斯斯坦工人；一位前額有塊反著光的紅色皮膚的建筑師；一位曾在莫斯科路障旁與葉利欽比肩站立的導游。他們中的一些人會莫名其妙地流鼻血。一位年輕的學生問道，“我們是誰？我是誰？一切都混亂無章。”　　小阿列克謝?日耳曼用七個章節，將他祖國的精神面貌壓縮成一部長敘述的象征性電影，一場流暢精心設計的人與攝影機之舞。

姐妹2026

鄭知曉,李洙赫,車珠英

改編自英國電影《愛麗絲的失蹤》                                                                      　　為了給弟弟的手術費籌錢，海蘭與身為高利貸主的泰秀聯合策劃了一起綁架案，目標就是海蘭同父異母的姐姐素珍。素珍之前并不知道自己還有個妹妹，當身份關系揭曉，綁匪和人質之間變得微妙起來……

超狗任務

杰森·李,艾米·亞當斯,彼特·丁拉基,詹姆斯·貝魯什,帕特里克·沃伯頓

　　超人狗最初是一條在警隊服役的普通小獵犬，因為執行任務時的一次嚴重失誤，被革職。流落街頭的小獵犬被捉到一個動物研究所，邪惡的西蒙（彼德?定克拉吉 飾）博士在那里對流浪狗進行試驗，希望能創造出一條超人狗。　　小獵犬大鬧實驗室，陰差陽錯成了超人狗，并逃了出去。研究所的一個保安在下班的時候遇見超人狗，并把它帶回家，希望借此改善和兒子的關系。　　在家里，超人狗發現自己不但力量強大、速度驚人，而且還能說話和飛翔。在保安之子的鼓勵下，超人狗決定用自己的力量服務社會，與此同時，邪惡的西蒙博士則在琢磨怎么奪回超人狗，還計劃著一個陰險的陰謀……

驅逐

杰西卡·布朗·芬德利,西恩·哈里斯,約翰·林奇,杰森·索普,亞當·赫吉爾,約翰·赫夫南,安雅·麥肯納-布魯斯,詹姆斯·斯旺頓,柯基·法爾考,西姆斯·奧尼爾,Danny Shayler,Amy Trigg,Nigel Travis,Jean St. Clair,Matthew Clarke

　　改編自1930年代英國真實事件，一位牧師萊納斯（約翰·赫夫南 飾）被教會任命為代理牧師，他帶著妻子瑪麗安（杰西卡·布朗·芬德利 飾）與女兒小愛搬進一座神秘莊園。　　但在他們入住這間屋子不久后，奇怪事情接二連三發生，除了在半夜會聽見呢喃聲，還會看見陌生的修道士身影，女兒小愛的行為也越來越陌生，隨著被騷擾的次數越來越多，萊納斯和瑪麗安不得不尋求著名的捉鬼專家哈利（西恩·哈里斯 飾）幫忙。　　他們必須一起揭開真相，找出這棟房子的超自然力量還有它可怕且驚人的過去……

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

電影版淘氣小企鵝啵樂樂甜蜜城堡大冒險

Su Jung Ham,Lee Sun-kyun,李美子

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舞臺恐嚇

明妮·德里弗,米特·洛夫,艾莉·麥克唐納,道格拉斯·史密斯,肯特·諾蘭

　　炎炎夏日，一輛輛黃色的校車載著熱愛歌唱和舞蹈的青年男女來到了一處郊外的夏令營。孩子們興致勃勃，渴望在這里盡情釋放對音樂的熱愛。今年年輕導演阿特·蓋茨雄心勃勃，決定將十年沒有排演過的經典名作《歌劇魅影》搬上舞臺。這一消息，令在廚房幫廚的卡梅拉（艾莉·麥克唐納 Allie MacDonald 飾）和巴迪（道格拉斯·史密斯 Douglas Smith 飾）深受觸動。原來十年前，姐弟倆那身為著名歌劇演員的媽媽在《歌劇魅影》的演出后被人殺害。該事件讓他們封閉了自己，可是卡梅拉無法抑制心底對歌唱的渴望，終于她鼓起勇氣報名參加了女主角索菲婭的遴選。然而伴隨著她走向陽光，十年前那個恐怖惡魔似乎也從沉寂中醒來……　　本片根據真實事件改編。