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同款熱播
遇見不同的遇見
高曉攀,李萌萌,李明,龔玥菲,劉德強,趙晉,張暘,郭京波,趙銘,王雪純,金道鑫鑫,于時弈,劉樂銘都市“躺平青年”但爽，帶領“突如其來”電視欄目組，突襲暗訪專業從事借錢為生的老鄉“滾刀肉”吳德，在吳德的引領下，但爽有緣結識了有財、有貌的“超級卷王”是蒂，未曾想這對歡喜冤家的愛情之路總是遇見不同的遇見，在經歷了英雄救美、海景房騙局、P2P理財“深坑”的一系列驚心動魄的故事下，最終花好月圓走在了一起。
暗黑女子
千眼美子,飯豐萬理江,清野菜名,玉城蒂娜,小島梨里杏,平祐奈,升毅,千葉雄大《暗黑女子》改編自秋吉理香子的同名人氣推理小說，描述了女子高中美少女白石逸美神秘死亡以后，逸美同校文學部的少女們，開始以她的死亡為主題，各自發表了檢舉犯人的作品。由清水富美加和飯豐萬理江擔任雙主演，由《百瀨，朝向這邊》、《戰神：只是愛著你》的導演耶云哉治執導。 影片《暗黑女子》是一部由耶云哉治執導的影片，該片于2017年4月1日本上映。 本片圍繞基督教名媛學校圣母瑪利亞女子高等學院的理事長之女、全校同學羨慕的物件——白石逸美（飯豐飾演）神秘死亡的故事展開。 好友澄川小百合（清水飾演）代替逸美，繼任了文學小組的會長而被成員們懷疑。她為了查明逸美死亡的原因并找出真兇，讓成員們寫關于「逸美之死」的小說，然后大家一起摸黑開朗讀會。 清水富美加飾演文學部部長澄川小百合，白石逸美則由飯豐萬理江出演。千葉雄大飾演的北條老師曾是學校文學部的顧問，因向身邊工作人員講猥瑣話題被趕走，實際上擁有不為人知的秘密。 其他角色方面，保加利亞留學生狄安娜?迪切瓦由玉城蒂娜扮演，清野菜名出演作家高岡志夜；夢想成為甜點師的小南彩音由小島梨里杏扮演，總是為獎學金而焦慮的二谷美禮由平佑奈扮演。
吸血獵手
科里·費爾德曼,馬爾科姆·麥克道威爾,魯格·豪爾,布魯斯·戴維森,迪恩·S·賈格爾,Richard Wagner,費爾南達·羅梅羅,Patrick Brennan,Chris Pardal,托馬斯·瓊斯,Lovake Heyer,金貝里·皮特森,Elizabeth Greer,霍莉·林奇,考特尼·蓋恩斯,薩姆·魯克,Clementine Heath, 金佰利·道格爾迪,Shafik N. BahouA rogue police detective in search of his parents killer is murdered and reborn the ultimate killer.
新狂蟒之災
保羅·路德,杰克·布萊克,史蒂夫·扎恩,坦迪·牛頓,艾斯·庫珀,丹妮拉·曼希沃,艾農·斯凱,本·勞森,賽爾頓·梅羅,Renee Herbert,婭絲明·卡西姆,Aimee Bah,塞巴斯蒂安·瑟羅,Jack Waters,Diego Arnary,Cal Rein,Matt Aristizabal,胡依·西卡多·吉亞斯,Romeo Ellard,Reagan George為了翻拍影史經典《狂蟒之災》，格里夫（保羅·路德 飾）和道格（杰克·布萊克 飾）成立史上最窮劇組！在唯一一條演員蛇因傷下線后，他們決定深入亞馬遜雨林捉蛇補位，卻意外遇上真巨蟒，原本滑稽混亂的片場瞬間淪為致命險境。在蛇口之下四處逃竄的他們，最終是會全員殞命還是順利殺青？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
春閨風月
艾琳·鄧恩,加里·格蘭特,拉爾夫·貝拉米,亞歷山大·達西,塞茜爾·坎寧安,莫莉·拉蒙特,喬伊斯·康普頓,羅伯特·沃里克,瑪麗·福布斯,Esther Dale,Robert Allen故事發生在車水馬龍的大都市紐約，杰瑞（加里·格蘭特 Cary Grant 飾）和露西（艾琳·鄧恩 Irene Dunne 飾）是一對感情十分要好的夫妻，兩人時常結伴出入上流人士所舉辦的高端晚宴之中，生活極盡奢華，但隨著時間的推移，這表面幸福的婚姻生活終究還是出現了裂痕，杰瑞和露西決定離婚。在兩人分開之后，杰瑞邂逅了富有而又美麗的遺孀芭芭拉（莫莉·拉蒙特 Molly Lamont 飾），露西則傍上了石油大亨丹尼爾（拉爾夫·貝拉米 Ralph Bellamy 飾），可尋找到了各自幸福的兩人卻并不能相安無事，正相反，他們開始想方設法的破壞和阻撓對方的情感關系，就此引出了一系列荒誕可笑的意外。